Keeper of the flame
Elina Garanca’s glorious Marguerite transformed La Damnation de Faust into the Met’s first essential must-see of the year.
Elina Garanca’s glorious Marguerite transformed La Damnation de Faust into the Met’s first essential must-see of the year.
On this day in 1961 the historic Metropolitan Opera debuts of Leontyne Price and Franco Corelli in Verdi’s Il trovatore.
On this day in 1958 soprano Inge Borkh made her Metropolitan Opera debut as Salome.
A scene from Les Contes d’Hoffmann with Michael Fabiano, which may or may not be seen soon at L’Opéra national de Paris.
Trove Thursday marks Mozart’s 264th birthday on Sunday with the 14-year-old’s remarkable opera seria Mitridate, Re di Ponto .
Happy 87th birthday to singer / dancer / actress Chita Rivera.
Born on this day in 1905 couturier Christian Dior.
On this day in 1967 Colin Davis made his Metropolitan Opera debut conducting Peter Grimes with Jon Vickers, Lucine Amara and Geraint Evans in the cast.
We live in a time of open-season for jokes on ancient myths, mixing and matching, sometimes with great success, as The Book of Mormon and Hadestown demonstrate.
Ultimately, the unrelenting grimness of the subject matter allied to the sameness of the vocal writing made for a wearying evening.
Cion: Requiem of Ravel’s Bolero is a dance-music-theater piece that Prototype Festival presented at the Joyce Theater through Saturday night.
Trove Thursday offers a rare third retelling of the saga of the ill-fated courtesan: Auber’s Manon Lescaut starring Mariella Devia.
Happy 86th birthday mezzo-soprano Marilyn Horne.
I watched Greta Gerwig’s heartbreaking, gorgeous, joy-filled explosion of an adaptation of Little Women in about the best way one can, sniffling in the dark with my best friend, the closest person I have to a sister.
The opera’s radical vision lay in its enormous scale, which encompassed a hundred-strong community chorus taken from the ranks of the Brooklyn Youth Chorus and Master Voices.
Rosa Feola immediately established with her first group that she’s a serious artist who brought to the concert format both a warmly appealing coppery soprano as well as detailed and savvy dramatic instincts.
I’m only now coming up for air after a night spent wading in the deep, cool, refractory waters of Magdalene, a work of immense, mythic joy and pain wrapped in the details of the ordinary.
Upon its commercial release three weeks ago, Tom Hooper’s film adaptation of Cats garnered instant, near-universal scorn from audiences and critics alike.
At the Metropolitan Opera on Friday night, an otherwise undistinguished Traviata was salvaged by an astonishing performance from Aleksandra Kurzak, whose Violetta was an incontrovertible triumph.
Composer Garrett Fisher and librettist Ellen McLaughlin’s Blood Moon wears its themes on its sleeve to great success in this spellbinding new opera.
On this day in 1912 Pietro Mascagni‘s Lodoletta had its United States premiere at the Metropolitan with Geraldine Farrar and Enrico Caruso in the leads.
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