Recent Stories
La bohème / Metropolitan Opera
A favorite mezzo performance from Rick
I have chosen “Våren” (The Spring) which is one of my favorite Grieg songs and which is sung perfectly by Anne Sofie von Otter.
The Guy for the job
Köln’s current Rigoletto, the debonair Korean baritone Insik Choi, is this week’s Grand Tier Grab Bag featured artist.
Smooth operators
A husband-wife duo add star power to San Francisco Opera‘s stylish revival of Manon.
A favorite mezzo performance from Matthew Byrd
From the moment she started to sing until the end, all of us sat in complete silence letting this voice engulf us.
Four Last Songs / Berlin Staatsoper Unter den Linden
Never sing louder than beautiful
Melanie Spector pays tribute to the great soprano — and her mentor — Martina Arroyo.
A favorite mezzo performance from Peter Russell
Florence Quivar’s blend of triple cream voice and superior musical expression earned her a discography and videography to rival those of any of her contemporaries.
Lincoln in the Bardo / Metropolitan Opera
A favorite mezzo performance from Bianca Castafiore
Sometimes, the first time you hear an oeuvre, it becomes the definitive performance for you.
We’re not in Kansas anymore
Our critics assess Kansas’s own Ben Bliss in a (nearly) all-American program performed at the Park Avenue Armory and Vocal Arts DC.
A favorite mezzo performance from Leyla GenderBender
An elegant rendition, and an artistically true one.
Croí na Féile / Wexford Festival Opera
La fille du régiment / Royal Ballet and Opera
JK, just OK
The world’s leading tenor garners a tepid response at Carnegie Hall‘s season opener featuring the Berliner Philharmoniker.
A favorite mezzo performance from Soomin K.
The open, skyward deliveries at the beginning and end of the aria as she addresses heaven! The mournful softness of her interceding “O mia Regina.”
A favorite mezzo performance from Belle Raggio
The guttsiest, bitchiest, verismoist Amneris in my experience
L’equivoco stravagante / Wexford Festival Opera
Two favorite mezzo performances from Jennifer Larmore
Beth Taylor sings with her whole heart and soul and it is evident in the aria “Priva son d’ogni conforto” from Handel’s Giulio Cesare.
Iris / Wexford Festival Opera
Contained vehemence
The operatically elusive Marianne Crebassa is in Parterre Box‘s spotlight this week ahead of La clemenza di Tito in Barcelona.
A favorite mezzo performance from Beth Taylor
Singing truly becomes a living thing in Jennifer Larmore‘s remarkable voice and personality.