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As tenor Pene Pati continues his Rodolfo-across-America tour, parterre box presents a snippet of his role debut as Werther from earlier this year.
One of my favorite scenes from Donizetti is the Act I finale from Anna Bolena.
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Before this weekend, I never thought I would want to leave an opera by Act I. The recent production of Puccini’s La bohème at the Lyric Opera of Chicago taught me that there’s a first time for everything.
As this is “Donizetti Month” here on parterre box, Chris’s Cache offers the recently deceased Paul Plishka and Opera Orchestra of New York with Carol Vaness in Anna Bolena and with Mariella Devia in the rarely heard Adelia.
La Favorita is my favorita. Whether it’s Favorita or Favorite, I love them both.
Opera Philadelphia announced today its 50th Anniversary 2025-2026 season, the second under the leadership of Anthony Roth Costanzo, but the first to bear his distinctive imprint.
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IN Series concluded its exploration of the works of Claudio Monteverdi with a production of the composer’s final opera, L’incoronazione di Poppea, performed with the addition of Indian music and dance.
Pascal Dusapin‘s dynamic and demanding traversal of Dante‘s Commedia arrives at the Paris Opera
Fiorenza Cossotto in her prime had few equals, particularly in the Italian repertoire
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A new opera company in Hell’s Kitchen is preparing for its first performances of Tosca – and it’s putting the experience of chronic illness front and center.
Donizetti wrote so much great music, it’s hard to single out a favorite opera, or even a preferred aria!
After her Mimìs in the springtime Bohème, she will perhaps be less under the radar here.
Ida Miccolis (1920-2005), Brazilian soprano, never or rarely sang outside Brazil.