Recent Stories
My recollections of Hurricane Katrina, which made landfall in Louisiana twenty years ago today, come with a pair of odd bookends: it starts with Verdi’s Don Carlo and ends with Puccini’s Il trittico.
The 1966 Bayreuth Festival production of Tristan and Isolde, conducted by Karl Böhm provides Nilsson with the cast she truly deserved, including Wolfgang Windgassen, Christa Ludwig, Martti Talvela, and Eberhard Waechter.
Wagner month at Parterre Box concludes in grand and explosive style: octogenarian Hanna Schwarz and sexagenarian Karita Mattila in crucial moments from Das Rheingold and Lohengrin.
Chris’s Cache offers Nadine Sierra and Xabier Anduaga, the stars of the upcoming production of La sonnambula, in a performance of another favorite bel canto opera
Die Walküre Met 12/6/1941- Helen Traubel, Astrid Varnay (debut), Kerstin Thorborg, Lauritz Melchior, Friedrich Schorr, Alexander Kipnis, cond. Erich Leinsdorf
Eva Maria Westbroek in her prime, in a role in which I find her unsurpassed among current singers.
Grand Tier Grab Bag
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Le nozze di Figaro in Santa Fe is a light and kindly revival while The Turn of the Screw is crisp and atmospheric
As a frequent visitor of Parterre’s Jones Home (ah, the early internet!), I’d be remiss not to share this favorite clip of two queens maximizing their joint slay.
For me, Hans Hotter‘s interpretation of Wotan is a convincingly successful interpretation of this role.
Surprised that none of our favorite Wagner performances happen to come from Tannhaüser, Parterre Box turns to Russell Thomas to fill the gap
Talk of the Town
The 2018 Macbeth is so overrated
I don’t know if it’s overrated because I don’t think anyone rates it, but for pure party disc joy not much beats this 2018 recording of the original 1847 version of Verdi‘s Macbeth.
I don’t know if it’s overrated because I don’t think anyone rates it, but for pure party disc joy not much beats this 2018 recording of the original 1847 version of Verdi‘s Macbeth.
This 1955 Eugene Onegin is so overrated
This is the classic Onegin and there’s much to love, especially from Khaikin‘s sensitive conducting and Lemeshev‘s ideal Lensky.
This is the classic Onegin and there’s much to love, especially from Khaikin‘s sensitive conducting and Lemeshev‘s ideal Lensky.
The best thing I saw in 2025 was Echo 72
An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.
An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.
The best things I saw in 2025 were Parsifal and The Monkey King
Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future
Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future
The best thing I saw in 2025 was La sonnambula
Easily the Met’s new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.
Easily the Met’s new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.
The best thing I saw in 2025 was Yuja Wang
Yuja Wang slayed in this performance of Prokofiev‘s 2nd piano concerto with the Boston Symphony.
Yuja Wang slayed in this performance of Prokofiev‘s 2nd piano concerto with the Boston Symphony.
I’d long ago given up on my Goldilocks search for a “just right” complete Tristan und Isolde recording starring Jon Vickers, my hands-down tenor of choice.
Richard Lynn bravely asks what we’re hoping to get out of the continued Peter Gelb-bashing — and whether our expectations of him have ever been fair
There was that Tristan.
The Santa Fe Opera’s fine first Die Walküre finds Wagner in America at a crossroads.
Chris’s Cache presents a performance with New York prodigal son Jakub Józef Orliński in a signature role
The complete RCA Furtwängler Tristan is actually my top favorite, but the Ponnelle staging in Bayreuth featuring René Kollo and Johanna Meier is my top sentimental favorite, because it was my first full Wagner performance.
Antonio Pappano conducts a performance live from the BBC Proms
Rigoletto at The Santa Fe Opera is a near miss.