Questo e Quello
It was indeed a curious sensation making a late morning trek to East 59th Street, a block devoted to showro0ms for bizarre upscale furniture and lighting fixtures, and then to enter a boutique cinema specializing in Hindi films (the big coming attraction right now is Desi Boyz) — and all this before sitting down in…
La Cieca is just back from the HD of Don Giovanni from La Scala: excellent singing through the whole cast, strong conducting (if tending to the slow side) by Daniel Barenboim, and a smart, chic production from Robert Carsen that frankly makes Michael Grandage look like an utter bumpkin. The presentation will repeat here in…
I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s…
La Cieca hears that the New York City Opera is moving its administrative offices to 75 Broad Street, a location you surely remember as The International Telephone and Telegraph Building. The a 1928 structure boasts the mosaic dome glimpsed above, and (coincidentally) sits just across the street from the old Goldman Sachs building.
The superstar of recent competitions is Grimoaldo, particularly his response to the Analogy challenge. Also outstanding, his modesty notwithstanding, is Brooklynpunk, who nailed the “Interpolation” competition and is invited to enjoy the preview of The Enchanted Island tomorrow night.
George Steel has called for a mediator (pictured) to attempt to summon the departed spirit of the New York City Opera. [New York Times]
In case you’re wondering why there was so little drama onstage in that recent production, perhaps it’s because so much was exploding behind the scenes. Which merely adequate director tried to get that lush-voiced star canned? And which conductor was Johnny on the spot to broker a little brotherly love between the antagonists—the better to…
If you promise not to interrupt the music, cher public, you are invited to discuss any and all topic in this week’s intermission feature.
UPDATE: Blogger Out West Arts reflects on the “Occupy Wall Street” incident at the Met’s Faust last night, noting that the shouts (and various responses from members of the audience) did not interrupt the music.
To think, if I’d had a kid instead, he could be out there supporting me now, or at least off at college smoking dope and getting laid.
The first full week of December is mostly, but not completely, about the Met.
Oh, Rossini, Rossini! You mad, adorable fool! What power could you find in the theaters of Paris to keep you from Neapolitan arms? If you are fond of Rossini (or any other major composer), you will want to collect the whole set. Each piece of the jigsaw adds detail to the picture, but there are…
David Daniels (left) headlines a special sneak preview of The Enchanted Island on Wednesday, December 7 at The Jerome L. Greene Performance Space. Also on hand will be Danielle de Niese, Lisette Oropesa and Luca Pisaroni, plus the pasticcio’s creative team, writer Jeremy Sams and director-designer team Phelim McDermott and Julian Crouch. Midge Woolsey hosts.…
Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot.
There were rumors all day in the usual places, on the search string: Philip Glass, Lincoln Center, OWS. The opera, though hypnotic, passed quickly, and Glass took a curtain call, got a hero’s welcome. Well, we thought, he can’t be both places at once.
UPDATE: Philip Glass emerged from the Met tonight to read to the General Assembly (via mic check) the final lines from Satyagraha: “When righteousness/ Withers away/ And evil / Rules the Land /We come into being /Age after age/ And take visible shape /And move / A man among men/ For the protection/ Of good…
Here’s a new idea La Cieca hopes will meeting with the approval of you, the cher public: a schedule of chats for the upcoming month, centered around the Met’s Saturday afternoon broadcasts and the “Listen Live” features during the week. Comments and addenda are, as always, welcome.
A press release just received from the Met ends with what feels like a SAT question that didn’t quite make it out of the gate. The background on the company’s impending HD of Faust includes the following tantalizing paragraph: “The traditional setting for Faust is 16th-century Germany, a time when alchemists and philosophers were familiar…
Local 802 and AGMA have rejected New York City Opera’s “final offer,” placing the company at an “impasse,” according to an email from George Steel to members of the company’s board.
Composer Philip Glass will appear this evening in support of Occupy Museums in Lincoln Center plaza during the Met’s final performance this season of his Satyagraha. The demonstration is described by Occupy Museums as “an open conversation at 10:30 pm about the effects of increased privatization and corporatization of all aspects of society, and the…
Which summer festival, barely an hour north of Manhattan, will offer as its opera performances in the summer of 2012 Rossini’s Ciro in Babilonia (with Ewa Podles, Jessica Pratt and Michael Spyres) and Bellini’s I Capuleti e i Montecchi (with Kate Aldrich, Eglise Gutierrez and Leonardo Capalbo)?
“An atomic explosion kicked off the last act of Gounod’s Faust Tuesday at the Met, but the production as a whole was more dud than bomb.” [New York Post]
La Cieca (illustration courtesy of the Wall Street Journal) invites you, the cher public, to enjoy a chat tonight during the prima of Gounod’s Faust from the Met.
At one time, the idea of a performance of La Gioconda conjured up images of over-the-top, competitive, passionate vocalism, and big personalities. As a vehicle for great singers (and especially a great protagonist), it was thrilling.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.