drag
The tiny but mighty Divas In Drag Italian Opera Company returns with a true Gaysamtkunstwerk.
Meet the Divas In Drag Italian Opera, “bringing to life operatic divas of the past, through drag-matic lip syncs.”
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Virtual vocal coach Karen takes on the lean, lovely, lustrous larynx of Dusty Pörn.
A loyal reader calls this little number “the worst gown I’ve ever seen.” La Cieca she agrees that Mme. Guleghina’s fashion faux pas here just screams, “that was no lady, that was Lady Macbeth.” On the other hand, your doyenne has seen some rather ghastly frocks in her time, and she’s sure, cher public, that…
Not the newest observation, but perhaps relevant again at the moment. So, tell me, what do these two ladies have in common (besides the family resemblance, of course)? [UPDATE: I’ve traded out the original image of Joyce Castle for something more representative.]
This is why drag was invented. The artistes are James Bondage and Bella ToDyeFor.
La Cieca’s DVR hard drive will be overflowing by the end of this November since the indispensable Turner Classic Movies has scheduled a whole month of “guest programmers.” Among the celebrities gracing the tube to introduce their favorite flicks will be some of particular interest to the parterre crowd. For example, this Thursday, November 8,…
Curtis Rayam as Arnalta in L’incoronazione di Poppea, directed by René Jacobs.
“Over-accessorizing and poor taste in makeup is not an excommunicable offense,” a specialist on Catholic canon law has explained. The expert was speaking to the San Francisco Chronicle in the wake of a scandal involving San Francisco’s Archbishop George Niederauer and the activist group the Sisters of Perpetual Indulgence. On October 7, Niedarauer delivered the…
La Cieca’s old, old, old friend and role model Charles Busch returns to the boards this month in the New York stage premiere of one of his greatest film triumphs, the eponymous matriarch of Die Mommie Die. Busch (who is of course the author as well) stars as Angela Arden, a legendary screen chanteuse bedeviled…
Yes, another YouTube posting, but this one is something very special indeed. Legendary Zarah Leander is seen in a few moments from her 1975 triumph as Madame Armfelt in Das Lächeln einer Sommernacht (A Little Night Music) at the Theater an der Wien. La Leander also cavorts about a studio, lipsynching a medley of her…
Although the cult TV hit Gilmore Girls has just ended its run after seven seasons on the CW, La Cieca thought you might enjoy a video featuring the “missing” Gilmore Girl (Miss Gail, that is.)
Gender-bending diseuse Zarah Leander crosses over into opera to sing “Che farò senza Euridice” in this scene the 1938 film Heimat. It may be noted that the sub-contralto Leander chooses a lower key for this aria than the written C major David Daniels will sing tomorrow night! For more about the iconic Zarah, see Ben…
The doyen of operatic stage direction has done it again! (Or, to be strictly accurate, he has done it for about the twentieth time, but who’s counting?) Thrill to the brilliantly innovative new production of La traviata Franco Zeffirelli just unveiled at the Rome Opera! Oh, if only we could have a production of Traviata…
Even as she toys with the idea of yet another emergence from semi-retirement, Madame Vera Galupe-Borszkh is divesting herself of some of her most celebrated frocks. An Ebay auction continuing through March 27 offers such cult couture as the Manon “St. Sulpice” gown and an argentate mantle worn by Madame’s hysterically hieratic Turandot. Also included…
Our editor JJ‘s busy week included a review of the Met’s Aegyptische Helena in Gay City News, and that panel La Cieca has been yammering about all week. As his presentation on the topic “Opera and Technology,” JJ introduced this little documentary about your own La Cieca.
That Richard Wagner sure had star quality! Even now, 124 years after his death, the composer exerts a fascination that extends even to lively speculation about minutiae about his personal life. In a previously unpublished letter unearthed for the premiere issue of The Wagner Journal, Wagner discusses — well, what do you think? The Grundthemae…
