La Cieca
Maria and Anna, morphed.
Expect yet another major cast change at the Met in the next couple of weeks. La Cieca won’t spill the details at the moment, but let’s just say that the problem is a soprano who got knocked up before the marriage!
Our Own John Yohalem is the subject of a quizzical posting on dishy gawker.com today. Dear John (whom La Cieca likes to call “The Ragin’ Pagan”) wrote a letter to the New Yorker in response to a mention in an article on Asperger’s syndrome. It seems that author Tim Page recalled John’s erstwhile(?) habit of…
Sunday, September 16 will mark the 30th anniversary of the death of that most significant of all opera singers, Maria Callas. In honor of the diva, Unnatural Acts of Opera presents one of her rare New York performances, a concert version of Il pirata as performed at Carnegie Hall on January 27, 1959. Unnatural Acts…
“And the charismatic, powerful baritone Gregg Baker, a compelling Robert, seems on the brink of a big career. ” New York Times, September 13, 2007. Gregg Baker made his Metropolitan Opera debut in 1985, creating the role of Crown in the company premiere of Porgy and Bess. (“Gregg Baker, as the villain Crown, looked magnificent,…
Curiously, the response to La Cieca’s challenge to identify the ten “wrong numbers” she reached whilst trying to phone Milton Host has evoked something less than the usual excitement associated with an Unnatural Acts of Opera quiz. As such, your doyenne will make it easy for you by making available an excerpt from the Vestale…
The Met’s star-crossed revival of Roméo et Juliette has just hit another bump. Nathan Gunn, announced for Mercutio, has dropped out of the September and October performances of the opera due to illness. Jumping in will be baryhunque Stéphane Degout, who performed Mercutio in this production back in 2005. Gunn is still on the cast…
Multifaceted Aprile Millo has branched out into blogging, and her site, operavision, includes some of the smartest online opera commentary La Cieca has seen. Currently she’s expounding on Opera in 3D, a fascinating article if you can tear yourself away from the image of Renata Tebaldi shaking hands with an astronaut! La Millo naturally has…
A source close to the Met whispers to La Cieca that Maria Guleghina will step into the TBA performances of Macbeth in January 2008 including the HD transmission on the 12th. Your doyenne also hears that la Guleghina has been approached to take over the May performances of the Verdi thriller, currently announced for Andrea…
Your doyenne La Cieca goes it alone on the current podcast of Unnatural Acts of Opera, doing her best to introduce the third act of Spontini’s La Vestale starring Leyla Gencer. Co-host Milton Host, it seems, was unable to reach the studio, and so La Cieca attempted to contact him via the telephone. An unfortunate…
The results of the “Must See” poll are in, and La Cieca is declaring it too close to call and therefore a tie: Vanessa at the New York City Opera and Lucia di Lammermoor at the Met are now officially the hottest tickets of the fall 2007 season. The complete results of the utterly unscientific…
La Cieca’s old, old, old friend Ed Rosen of Premiere Opera writes: In tribute and loving memory to Luciano Pavarotti, I am proud and humbled to present a complete recital given relatively early in Pavarotti’s career, 1973. He had just finished the first big step toward super stardom by triumphing as Tonio in Donizetti’s Fille…
Voting is now closed on this poll. The results may surprise you!
Fans of red-haired three-named sopranos d’un certain âge will rejoice to hear that at least a couple of the mainstays of the Volpe Era have been asked back to the Met under the Gelb Aegis. (And after all that naughty gossip about firings and buyings-out! Who ever heard of such a thing?) Anyway, not to…
Tribute to Pavarotti at Unnatural Acts of Opera
Here’s the original (or, La Cieca supposes she should say, Das Original) of that endlessly-forwarded and endlessly-discussed article about alleged “doping” in the opera world, as published in Die Presse. Now, what catches La Cieca’s eye here is the description of the beta blocker whistleblower quoted in the article: “Der Tenor und Bodybuilder Endrik Wottrich.”…
Those of the cher public who want to attend opera on the cheap or who just want to get a jump on the season should check out New York City Opera’s Opera for All program. The NYCO is offering three performances this week with all tickets priced at $25: a gala concert on September 6,…
Which stage director fled a rehearsal in tears last week after the prima donna’s metamorphosis into a screaming harpy?
Wow! Who is this Odabella? As several of you quick-witted commenters have divined, the mystery Odabella is none other than Eva Marton, who performed in Verdi’s Attila in 1972. As you watch this YouTube clip of the entire aria, thrill to la Marton’s precocious mastery of diva body language!
Yes, another YouTube posting, but this one is something very special indeed. Legendary Zarah Leander is seen in a few moments from her 1975 triumph as Madame Armfelt in Das Lächeln einer Sommernacht (A Little Night Music) at the Theater an der Wien. La Leander also cavorts about a studio, lipsynching a medley of her…
There’s some bit of information that La Cieca’s missing in this story, or maybe it would be obvious to readers in the “This is Wiltshire Network.” But here goes. “Yet another” rural opera festival in Britain (this time, in “Somerly Park,” which is where La Cieca imagines the Maggie Smith character lives when she’s not…
Congratulations to NYT writer Michael Kimmelman, whose post-mortem on Katharina Wagner‘s Bayreuth Meistersinger contains a sentence that beats all world’s records for running, standing and equivocation: The approach is not, in the abstract, without merit, Beckmesser having always seemed a proto-Jew to Wagner, awaiting modern redemption; the opera’s end comes across as the screed it…
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
