Parterre Box

The Met should revive The Aspern Papers The Met should revive The Aspern Papers

Samuel Barber may have had an edge as melodist over Dominick Argento, but the latter had a far better instinct as dramatist, and his 1988 setting of Henry James’s The Aspern Papers is overdue for a Met premiere. It is a gripping work of musical psychodrama.

Sediziosa voce Sediziosa voce

Ahead of a broadcast in Europe on Arte on Sunday, parterre box has snagged a snippet of Asmik Grigorian‘s eagerly anticipated role debut as Norma in Vienna

The Met should revive Jonny spielt auf The Met should revive Jonny spielt auf

Jonny spielt auf by Ernst Krenek could be a lot of rollicking fun, especially if a director and design team leaned into creating a 1927 world that acknowledged modernist art movements, silent film acting aesthetics, and the use of historical film footage of nightlife and cityscapes of the time.

Rigoletto Rigoletto

A live broadcast from Florence’s Maggio Musical Fiorentino

The Met should revive Die Gezeichneten The Met should revive Die Gezeichneten

It will never happen, but a girl can dream.

Metropolitan Opera 2025-26 Metropolitan Opera 2025-26

The Metropolitan Opera has revealed its upcoming season.

Eugene Onegin Eugene Onegin

A live broadcast from Milan

The Met should revive Lucrezia Borgia The Met should revive Lucrezia Borgia

Lucrezia Borgia — given only one night more than a century ago. Giustizia per Lucrezia!!!

The Met should revive Maria Stuarda The Met should revive Maria Stuarda

Now that Lisette Oropesa is doing the McVicar co-production of Maria Stuarda in Madrid, can the Met revive it with her?

The Met should revive La voix humaine and Erwartung The Met should revive La voix humaine and Erwartung

While I have an entire laundry list of operas (Maria Regina d’Inghilterra, Loreley, La Wally, Sadko, The Snow Maiden, The Golden Cockerel, La Fiamma, and many others) I wish the Met would do – especially after Medea was such a success – I think realistically speaking this double-bill would be lovely for Sondra Radvanovsky at this point.

Lucrezia Borgia Lucrezia Borgia

A live opening night broadcast from Rome.

The Met should revive The Nose The Met should revive The Nose

William Kentridge‘s production of The Nose. I think it’s his strongest production for the Met, the piece is a masterpiece and this is a time for absurdity. Bring in Maestro Keri-Lynn Wilson who did such an outstanding job with Mtsensk.

Orpheus and Eurydice Orpheus and Eurydice

A live streaming performance from The Dallas Opera.

Ariadne auf Naxos Ariadne auf Naxos

Jessye Norman sings the title role of a performance recorded in New York in 1985

Le maschere Le maschere

A rare performance of Mascagni’s opera recorded at the Wexford Festival last fall.

The Met should revive Akhnaten The Met should revive Akhnaten

Both a brilliant composition and an outstanding production

The Met should revive its “Parade” triple bill The Met should revive its “Parade” triple bill

John Dexter and David Hockney‘s French triple bill of Poulenc‘s Les mamelles de Tirésias, Satie‘s Parade, and Ravel‘s L’enfant et les sortilèges, last seen in 2002. This clip is from Barcelona but you can enjoy Gabriel Bermúdez nonetheless.

The Met should revive Saint-François d’Assise The Met should revive Saint-François d’Assise

The Met was built for Saint-François d’Assise. It is a huge work, and it needs a huge space. And Ingo Metzmacher.

The Met should revive María de Buenos Aires The Met should revive María de Buenos Aires

Because we have no shortage of mezzos that would be great in this rep

La voix humaine La voix humaine

Danielle de Niese can’t get off the phone in a performance recorded in Wales last month

The Met should revive Parsifal The Met should revive Parsifal

In François Girard‘s production.

The Met should revive Daphne The Met should revive Daphne

… with Erin Morley

The Met should revive Ermione The Met should revive Ermione

Michael Spyres as Pirro; Juan Diego Flórez, Javier Camerena, or Lawrence Brownlee as Oreste; Aigul Akhmetshina as Andromaca; Anastasia Bartoli as Ermione

Maria Stuarda Maria Stuarda

Lisette Oropesa and Aigul Akhmetshina come to blows in a performance recorded last fall in Madrid.