Cameron Kelsall
Greater Clements provokes more genuine poignancy than the whole of The Inheritance in half the running time. There’s hardly a moment that isn’t painfully true to life.
Little Shop of Horrors loses its necessary edge when it’s wrested from the gritty world of its creation.
The Glimmerglass Festival premiered a searing examination of race, identity, and the fraught relationship between communities of color and law enforcement. Blue, with a score by Jeanine Tesori and libretto by Tazewell Thompson.
French conductor Emmanuelle Haïm debuted with the Philadelphia Orchestra this weekend, leading performances of Handel and Purcell.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
