La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
After a Monday that will go down in history as “the day nothing happened,” finally we may have a bit of excitement tonight as the Met broadcasts on Sirius and the web-based Listen Live. The occasion is the season premiere of La Fille du Régiment featuring Nino Machaidze and Lawrence Brownlee, with that lovely, litigious…
Talk about this, that, or the other here, cher public, in your general discussion thread for the week of December 11.
Now that the retirement of James Levine is basically just a matter of patiently waiting out 18 months of inaction, it’s about time you, the cher public, were heard on the subject of the appointment of a new music director for the Met. A couple of polls for you after the jump.
Once again the Friday afternoon news dump reveals the Byzantine means by which the honchos and honchesses who rule the world of opera attain and consolidate their power.
James Levine will not conduct this spring or in the entire 2012-2013 season, says a press release from the Met. The most apparent result of this decision is that Fabio Luisi is now officially on the podium for all three of this spring’s Ring cycles. The complete press release follows the jump.
“After putting off for a week trying to make some sense of the horrific mess that is the Met’s new Faust, I’m finally just going to give up. There are some disasters that bear writing about as what you might call teaching opportunities: this season’s Don Giovanni, for example, as a cautionary tale about the…
“The reaction to Grandage’s Don Giovanni was revealing. For the critics, it seemed to fall between two stools: the show had been marketed as a theatrical event from a director who has won plaudits on Broadway; but what they got was something that looked, on the surface at least, rather old-fashioned.” The “dome-headed” general manager…
It was indeed a curious sensation making a late morning trek to East 59th Street, a block devoted to showro0ms for bizarre upscale furniture and lighting fixtures, and then to enter a boutique cinema specializing in Hindi films (the big coming attraction right now is Desi Boyz) — and all this before sitting down in…
La Cieca is just back from the HD of Don Giovanni from La Scala: excellent singing through the whole cast, strong conducting (if tending to the slow side) by Daniel Barenboim, and a smart, chic production from Robert Carsen that frankly makes Michael Grandage look like an utter bumpkin. The presentation will repeat here in…
La Cieca hears that the New York City Opera is moving its administrative offices to 75 Broad Street, a location you surely remember as The International Telephone and Telegraph Building. The a 1928 structure boasts the mosaic dome glimpsed above, and (coincidentally) sits just across the street from the old Goldman Sachs building.
The superstar of recent competitions is Grimoaldo, particularly his response to the Analogy challenge. Also outstanding, his modesty notwithstanding, is Brooklynpunk, who nailed the “Interpolation” competition and is invited to enjoy the preview of The Enchanted Island tomorrow night.
George Steel has called for a mediator (pictured) to attempt to summon the departed spirit of the New York City Opera. [New York Times]
In case you’re wondering why there was so little drama onstage in that recent production, perhaps it’s because so much was exploding behind the scenes. Which merely adequate director tried to get that lush-voiced star canned? And which conductor was Johnny on the spot to broker a little brotherly love between the antagonists—the better to…
If you promise not to interrupt the music, cher public, you are invited to discuss any and all topic in this week’s intermission feature.
UPDATE: Blogger Out West Arts reflects on the “Occupy Wall Street” incident at the Met’s Faust last night, noting that the shouts (and various responses from members of the audience) did not interrupt the music.
To think, if I’d had a kid instead, he could be out there supporting me now, or at least off at college smoking dope and getting laid.
The first full week of December is mostly, but not completely, about the Met.
David Daniels (left) headlines a special sneak preview of The Enchanted Island on Wednesday, December 7 at The Jerome L. Greene Performance Space. Also on hand will be Danielle de Niese, Lisette Oropesa and Luca Pisaroni, plus the pasticcio’s creative team, writer Jeremy Sams and director-designer team Phelim McDermott and Julian Crouch. Midge Woolsey hosts.…
Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot.
UPDATE: Philip Glass emerged from the Met tonight to read to the General Assembly (via mic check) the final lines from Satyagraha: “When righteousness/ Withers away/ And evil / Rules the Land /We come into being /Age after age/ And take visible shape /And move / A man among men/ For the protection/ Of good…
Here’s a new idea La Cieca hopes will meeting with the approval of you, the cher public: a schedule of chats for the upcoming month, centered around the Met’s Saturday afternoon broadcasts and the “Listen Live” features during the week. Comments and addenda are, as always, welcome.
A press release just received from the Met ends with what feels like a SAT question that didn’t quite make it out of the gate. The background on the company’s impending HD of Faust includes the following tantalizing paragraph: “The traditional setting for Faust is 16th-century Germany, a time when alchemists and philosophers were familiar…
Local 802 and AGMA have rejected New York City Opera’s “final offer,” placing the company at an “impasse,” according to an email from George Steel to members of the company’s board.
Composer Philip Glass will appear this evening in support of Occupy Museums in Lincoln Center plaza during the Met’s final performance this season of his Satyagraha. The demonstration is described by Occupy Museums as “an open conversation at 10:30 pm about the effects of increased privatization and corporatization of all aspects of society, and the…
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
