Christopher Corwin

Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.

Practical magic Practical magic

Notable purveyor of mayhem and infanticide Medea has lately been missing from the local operatic scene, but Sunday afternoon sections of the recently renovated Alice Tully Hall were singed by Canadian soprano Dominique Labelle’s blazing incarnation of the Greek sorceress.

on August 19, 2014 at 2:37 PM
One charming afternoon One charming afternoon

In recent years the enterprising Dell’Arte Opera Ensemble has brightened the usually arid weeks of August in New York City with some worthy operatic showcases for young singers.

on August 11, 2014 at 12:10 PM
Tomb raider Tomb raider

Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?

on July 28, 2014 at 3:10 PM
Waxy buildup Waxy buildup

I avoided visiting any waxworks establishment until On Site Opera’s lively production of Rameau’s one-act Pygmalion summoned me Tuesday evening to Madame Tussauds just off New York City’s Times Square.

on June 18, 2014 at 12:39 PM
Victorious, happy and glorious Victorious, happy and glorious

Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim.

on June 06, 2014 at 10:34 AM
Ash Wednesday Ash Wednesday

Joyce, Javier and now Julia—this week these three remarkable Js brought New York City memorable “Cinderella stories.”

on April 24, 2014 at 5:49 PM
Goodness had everything to do with it Goodness had everything to do with it

The Met stage was filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.

on April 22, 2014 at 9:53 AM
Platée du jour Platée du jour

What must have raced through the mind of the none-too-comely Spanish Infanta when she learned that the opera to be performed during the celebrations for her 1745 wedding to the French Dauphin revolved around the comeuppance of an ugly yet vain water nymph tricked into believing Jupiter was her ardent suitor?

on April 03, 2014 at 2:03 PM
Lyrists’ club Lyrists’ club

For one week every two years since 1981 the eyes—and ears—of those interested in period performance turn to the Boston Early Music Festival, particularly to its opera centerpiece, but that organization doesn’t rest on its laurels in between festivals.

on March 18, 2014 at 3:17 PM
Partial eclipse Partial eclipse

We must be doubly grateful that The English Concert’s recent Theodora was so quickly followed by the American Classical Orchestra’s fine Samson on Tuesday evening at Alice Tully Hall.

on March 06, 2014 at 11:14 PM
Farinelli from heaven Farinelli from heaven

My impossible wish would be to hear one of the great castrati who dominated opera for most of the 18th century.

on February 28, 2014 at 1:35 AM
Theodora goes wild Theodora goes wild

Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.

on February 03, 2014 at 11:41 PM
Disguise and dolls Disguise and dolls

While many performing arts organizations have been reducing their schedules or even closing, Opera Lafayette, a Washington DC-based group dedicated primarily to 17th and 18th century opera, has proven remarkably prosperous.

on January 26, 2014 at 12:18 PM
Stage mother Stage mother

The internecine machinations of those who ruled—or sought to rule—the Roman Empire have long provided rich material for writers and composers, and on Thursday evening operamission continued its ambitious plan to stage in chronological order all of Handel’s operas by presenting one of the most delicious of those Roman-based works, Agrippina which premiered in Venice in 1709.

on January 17, 2014 at 10:59 PM
Get happy Get happy

Lincoln Center hosted two milestones this week.

on November 23, 2013 at 2:08 AM
Appearing nightly Appearing nightly

I suspect most New York City opera-lovers had long since given up hope that the fascinating soprano Anna Caterina Antonacci would ever return to their city.

on November 15, 2013 at 1:32 PM
A river runs through it A river runs through it

I can think of no other case that resembles Handel’s complex relationship to the story—derived from Ovid’s Metamorphoses—of the ill-fated love between the shepherd Acis and the sea nymph Galatea.

on October 27, 2013 at 9:38 PM
‘Twas ever “Thus” ‘Twas ever “Thus”

While James Levine’s name might not immediately spring to mind when pondering the great Mozart conductors, he does have a long and distinguished career leading operas by the Austrian master.

on September 25, 2013 at 11:51 AM
All the world loves a crown All the world loves a crown

Seventeenth century opera remains the true connoisseur’s delight partly because it’s so rarely done.

on August 17, 2013 at 4:07 PM
New fashioned wedding New fashioned wedding

After the success of its Don Giovanni in 2011, Lincoln Center invited Iván Fischer and his Budapest Festival Orchestra to return for the Mostly Mozart Festival premiere (!) of the first of Mozart-da Ponte’s three masterpieces Le Nozze di Figaro late Sunday afternoon at the Rose Theater.

on August 12, 2013 at 2:54 PM
Belief in a higher power Belief in a higher power

The behavioral phenomenon of limerence has been described as “an involuntary potentially inspiring state of adoration and attachment to a limerent object involving intrusive and obsessive thoughts, feelings and behaviors from euphoria to despair, contingent on perceived emotional reciprocation.”

on July 29, 2013 at 5:28 PM
Eschorcher Eschorcher

Giuseppe and I have always had a complicated relationship.

on July 21, 2013 at 3:56 PM
The world on a string: talking to Jamie Barton The world on a string: talking to Jamie Barton

American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition.

on June 26, 2013 at 6:32 PM
All boulevards lead to Westchester All boulevards lead to Westchester

“Let’s go up to Westchester!”

on June 21, 2013 at 10:44 AM
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