Hooray! This means you'll be in the house for the Live in HD performance! I believe that I've only attended one of those broadcasts in person (Radvanovsky's Medea) and I adored both...
All the necessary details are in Plotziful's post. It was a most unpleasant experience for me, since the details weren't given to those of us who were sitting there bewildered by what was...
Not for another month - February 3. Personally, I always found a crescendo from pp (falsetto/falsetto mix) to forte (full mixed/covered voice) to be much easier than the reverse as Baek does. For...
Dearest Gérard, now there was a man who could have handily reversed my orientation with his exquisite singing. Had he sung this Fauré to me in person I may never have spiraled into that destructive...
in ensembles, there are some places where Susannas often (or used to) take the higher line. However, it was originally written for the Countess to sing the higher part, and it tends to be done that...
In the ‘90s, I saw Helen Donath do a lovely Countess (at Florida Grand Opera) after decades of doing Susanna. In her 50s, she was still in very good voice.
Hahahaha! You may protest at your process that you’re only just a beginner —following a recipe where an italiano translation error was made, suggesting arsenic be added to boost “flava”. *Cucina...
Starring Renata Scotto, P____ D_____, Sherrill Milnes, Bonaldo Giaiotti, and James Morris, conducted by J____ L_____. Production by Nathaniel Merrill. From January 20, 1979.
parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
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