“Critiques of My Fair Lady have focused not only on the show’s final exchange, but on the Pygmalion narrative itself: a man transforming a woman to meet his standards. Not to mention Henry’s bullying tone with Eliza, and her return to him at the end of the show.” Has anyone who assigned, wrote, edited or published this piece ever seen My Fair Lady? Have any of them even read Pygmalion?
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Like breathing out and breathing in
by
La Cieca
| 3:18 pm | Feb 22, 2018
Contributors
- Adriel
- Porgy Amor
- Michael Anthonio
- Alex Baker
- Enzo Bordello
- La Cieca
- Christopher Corwin
- David Fox
- Greg Freed
- Kevin Fullerton
- Fernando Herrera
- Albert Innaurato
- Patrick Clement James
- Our Own JJ
- Dan Johnson
- Ali Kashani
- Henson Keys
- Sylvia Korman
- Nicola Lischi
- Richard Lynn
- Patrick Mack
- Judith Malafronte
- John Masko
- Windy City Operaman
- Niel Rishoi
- Harry Rose
- Joel Rozen
- Jon Taylor
- John Yohalem
Broadcasts
-
- September 22 at 2:00 PM: parterre saturday afternoon: I puritani with Joan Sutherland, Gianni Raimondi and Mario Zanasil; Tullio Serafin, conductor.
- September 24 at 6:00 PM: Samson et Dalila live from the Met
- September 29 at 2:00 PM: parterre saturday afternoon: scenes from Mozart operas
- October 2 at 7:30 PM: Aida live from the Met
elsewhere
- Against 'Against Modern Opera Productions'
- Barihunks
- Boulezian
- Civic Center
- Fake Norman Lebrecht
- Future Met Wiki
- Intermezzo
- ionarts
- Iron Tongue of Midnight
- JudyCast
- Likely Impossibilites
- Manuel Brug
- Mrs. John Claggart's Sad Life
- New York Observer
- New York Post
- Not so wunderbar
- Opera Fresh
- Opera Teen
- Operacast
- OperaJournal
- operatraveller
- Operavision
- Operavore
- Operazine
- Out West Arts
- parterre on Facebook
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- pArts
- Regie, or not Regie?
- Sandow
- SFCV
- Superconductor
- The Classical Beat
- The Classical Review
- The Opera Tattler
- The Rest Is Noise
Cher Public