Ah, finally a light begins to break: “60 Minutes is filming a long-planned segment on the Met, with the new production of Rigoletto providing a through line…. When [Michael] Mayer sprints down the aisles onto the stage to tweak a bit of business, he is trailed not just by a couple of staff directors with notebooks but often by a cameraman or two. A Japanese film crew has also been tailing him for its own documentary.” [New York Times]

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