(No, not that again.)
The San Diego Opera, boldly exploring cutting-edge trends in dramaturgy, is producing a Twitter version of the complete history of opera.
Yes, Paris and the French did not like women en travesti playing men, so Néocles had to be a tenor, not a contralto (the irony being that contralti/mezzos were replacing castrati). Can you tell me...
Say their name! Say their name!
Peter, the arts.world owes you and Stephen endless gratitude for WCO and for all YOU have done to further and educate the Vocal World over your lifetime. Your vast knowledge of opera, singers and...
A favorite Donizetti performance from Peter Russell · 24 minutes ago
For the French version "Le Siège de Corinthe" Rossini changed the location, the names of the characters and the vocal distribution. The contralto role of Calbo in "Maometto II"...
Wasn’t able to listen to the entire thing but I liked Sills more than I had anticipated for that point in her career. Her ornamentation drove me nuts, but I thought she was in strong shape. Verrett...
Yes, Rossini himself made many changes in the music of his French revision, but at least they're his own. The Schippers goes back and forth between the 2 scores, along with some interpolations...
And in real life, Philip was in his 30s and Carlos was kind of creepy, no?
I don’t think she can.
A favorite Donizetti performance from Belle Raggio · 1 hour ago
You can listen to the Hunter/Theyard Cavalleria here: https://parterre.com/2024/10/08/easter-vigilantes I heard him just...
As I understand it, the score is also different than Maometto II …. many arias and set pieces are the same but not all.
Callas as Maria
Barbieri as the Marquise
Oltrabella as Krakenthorp
A favorite Donizetti performance from Belle Raggio · 2 hours ago
Still pretty amazing! https://youtu.be/8zZD9fA-P_A?si=XcZ3lXvyg-FWRHGg&t=610
A favorite Donizetti performance from Belle Raggio · 3 hours ago
The second broadcast was during the following season, in Jan. 1976. I remember listening to both at that time, primarily because of Verrett. I was never the greatest Sills fan: excellent technique,...
A favorite Donizetti performance from Belle Raggio · 3 hours ago
Duh… I overlooked the ‘Venetian biographer’. I’m high on asparagus and strawberries.
I met Sills a few times she was lovely.
Thank you for this wonderful, detailed report! I went straight to YouTube and found Rebeka's account of the big aria - spectacular indeed.
I was there too it was a very exciting night. I was a sucker for her ornamentation. The more notes she sang the more thrilling it was for me. As I have listened to a lot of sopranos and it seems...
None of the Donizetti fans here seems to have taken an interest.
Oh, cowboys and Indians of course.
(No, not that again.)
The San Diego Opera, boldly exploring cutting-edge trends in dramaturgy, is producing a Twitter version of the complete history of opera.
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
Yannick leads The Philadelphia Orchestra, superstars Nina Stemme and Stuart Skelton, and world-class singers in a rare concert performance that reveals every detail and nuance of this richly harmonic score. Experience the passion and cold-hearted revenge of this scandalous opera. Get tickets now!
Yannick leads The Philadelphia Orchestra, superstars Nina Stemme and Stuart Skelton, and world-class singers in a rare concert performance that reveals every detail and nuance of this richly harmonic score. Experience the passion and cold-hearted revenge of this scandalous opera. Get tickets now!
“The island is only small / But the fairies inhabiting it / Welcome us all”
That means you—and your even more significant other—should you win this pair of seats. Enter now »
“The island is only small / But the fairies inhabiting it / Welcome us all”
That means you—and your even more significant other—should you win this pair of seats. Enter now »
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
Parterre Box is the best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Editorial
info@parterre.com
Advertising/partnerships
advertising@parterre.com
All other inquiries
trashfile@parterre.com
Copyright © 2025 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy.
Comments