Cher Public

  • sogalitno: dont know if there is a way. i think sky is via cable so would probably need account info . 1:03 PM
  • Camille: I’m so glad they changed the Wotan from Rheingold and Sarah Connolly sounds REALLY good as the Walküre Fricka! Heidi... 12:28 PM
  • Camille: Merci, Hippolyte! I had forgotten all about the August 5th concert. A chance to hear not only Loreley but the weird Nerone! Once... 12:22 PM
  • Hippolyte: Russell Thomas is appearing next month in two very interesting concerts as part of the Puccini festival at Bard. August 5... 12:09 PM
  • Camille: And as a lieder recitalist, just exemplary httpv://youtube.co m/watch?v=lETGe_4B U2E httpv://youtube.co m/watch?v=PGJhNfVg UVk... 12:06 PM
  • brackweaver: I agree with both of you about the singing of the ladies. It made me give up at intermission. 12:01 PM
  • Camille: You can love her in this, in which she shows her strong suit as Chrysothemis. Forgot to post it yesterday. I loved this set of... 11:57 AM
  • Camille: You know–as soon as I typed that I began to get this nagging feeling that it might have been the Greek Theatre, funny you... 11:37 AM

Morley marvelous

Erin MorleyToo rarely does a moment arrive during an opera or a concert when a great piece of music meets an inspired artist: time stands still and you experience Nirvana. Sunday afternoon at Carnegie Hall two remarkable slices of soprano-heaven were served up, first by Carolyn Sampson and then by Erin Morley, during the second act of Handel’s Orlando. Their transcendent pair of arias elevated an uneven performance of one of Handel’s most challenging operas by The English Concert.  Read more »

Saxon violence

His shaved head in striking contrast to his dark beard and glinting eyes, the implacable Tartar conqueror glowers at us from the CD cover, while the uncropped photo of countertenor Xavier Sabata (above) is even more disturbing, featuring his raised fist and forearm tightly wrapped in a leather belt. Read more »

Desk set

“Two Boys demonstrates that Mr. Muhly is capable of very great things indeed, offering extended glimpses of the kind of masterpiece he just missed writing here, and, more happily, of the kind of masterpiece I feel confident he will write in the future.” [New York Observer] (Photo: Ken Howard/Metropolitan Opera)

Iestyn Davies

Deeds of kindness to review

For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.

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new_puritans

Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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