The news from New York has been rather dire these last few weeks, cher public; La Cieca is the first to admit that. But your doyenne would like to remind you that things could be worse. A lot worse. Read more »
Sleep soundly tonight, Kasper Holten: your Vêpres Siciliennes casting problem has just been solved! Read more »
Monteverdi’s L’incoronazione di Poppea (The Coronation of Poppea) is opera on the grand scale with mellifluous arias and breathtaking duets that tell a tale of ancient Roman political machinations, adultery, and murder in which there is no true protagonist. This stunningly expressive music is performed by an all-star cast. Soprano Miah Persson, praised by The New York Times for her “sumptuous sound and elegant lyricism,” is joined by singers who have all won worldwide critical acclaim for their mastery of this beautiful repertoire. The Guardian wrote that “there are few performers better-versed in the music of Claudio Monteverdi than Rinaldo Alessandrini and the ensemble he founded 30 years ago, Concerto Italiano.” Alessandrini and company anchor a performance that promises to be one of the season’s most thrilling nights of opera.
Apparently, opera fans got the bright side of the bargain: say “Macbeth” in the theater and you court cataclysm; utter the name in the opera house and, as often as not, you merely predict disappointment. Read more »
At long last, the most closely guarded secret of 2011 (besides, you know, everything about what’s going to happen to City Opera) is about to be revealed. Ladies and public, the Second Annual Parterre Cher Public Choice Awards!
“It’s just that it seems rather perverse to have cast such opulent voices and then given them not much to sing…. the role of Anna Nicole would not stretch Danielle de Niese.” Loyal parterrian Jondrytay (not pictured) looked in on the Royal Opera’s Anna Nicole and shared this thoughts on his blog Not So Wunderbar.
The title of this site says it all: Fotografie orribili di cantanti.
“Tyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” […]
What a concept, or La Cieca should say what a concept! This is Regie at its finest and most boldly satirical, genius that makes Graham Vick look like two-day-old steak frites. For this production of Puccini’s Manon Lescaut, the director (unnamed, alas in the YouTube clip below) utilizes the cinematic convention of the flash-forward in a postmodern epoch-bending variation. What if, this staging asks, Manon were to survive her various torments and travails? What would her life be like at, say, age 60? And what if, instead of hanging around mosquito-ridden Louisiana, she invested in a condo in Miami Beach […]
Maria Guleghina‘s Turandot on PBS right now, and, holy hell, I didn’t realize just how incredibly awful it sounded. How could anyone let such a thing be released — no, escape — on HD?