Headshot of La Cieca

Cher Public

  • manou: This is mostly for Lady Abbado (hoping that she speaks Italian): https://soundcloud .com/radioclass... 11:07 AM
  • spiderman: Yes, DonCarloFanatic, chairs are a EUROPEAN thing … that’s why you still have to sit... 10:48 AM
  • DonCarloFanatic: Oh, no. Chairs AGAIN??! It’s a European thing, and I also do not understand why it... 10:36 AM
  • aulus agerius: I did not notice Cav being dark. However, The Paramount Theater makes a big deal of the fact... 9:32 AM
  • aulus agerius: I thought having Canio sing his aria in front of the curtain was an echo of Tonio singing the... 9:09 AM
  • overstimmelated: Her top has sounded like that on broadcasts for years, splintered and often with no pitch or... 8:21 AM
  • Will: I was at the MET for Cav/Pag and thought the former was a truly gripping, magnificent production. The... 7:07 AM
  • Ilka Saro: I was also at the HD presentation yesterday (at the Ziegfeld in NYC, just down the street from the... 6:55 AM
  • -Ed.: I quite liked the Cav/Pag HD broadcast yesterday. The productions, the singing, the chorus, the... 6:17 AM
  • danpatter: I loved Italo Tajo’s singing. I only got to see him a few times, as Don Pasquale in... 12:03 AM

Swedish frisson

“Last week’s freak nor’easter set the tone for Thursday’s chilly new production of Un Ballo in Maschera at the Met…. Sadly, [David Alden's] Ballo feels more like a pitch meeting than a production. There’s an avalanche of ideas, but none of them are developed.” [New York Post]

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