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  • warmke: You discount yourself as a judge of any music if you can’t even correctly count the number of notes in a sequence. The... 2:30 PM
  • Krunoslav: How about Margaret White in CARRIE in tandem with Sabine Devieilhe–or , better, — Julia Lezhneva–wit h... 1:13 PM
  • armerjacquino: But while with Weill- Jenny Diver? 1:03 PM
  • armerjacquino: She’d act the living hell out of Anna Maurrant but the voice is just too small. 1:02 PM
  • Krunoslav: How about COCO? The creatrix sure didn’t have much voice… httpv://www.youtub e.com/watch?v=Oi-7 9tAQHEo... 12:50 PM
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  • antikitschychick: lighter *fare. That was a typo. Sorry. 12:39 PM
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World weary

You only thought the “BrokebackEugene Onegin was the gayest possible take on the Tchaikovsky “lyric scenes.” Now, along comes La Cieca’s fave director Stefan Herheim‘s extravagant, transgressive, high-camp symbolist (and about a dozen other adjectives) approach to the work, “gay” in the very best sense of gay sensibility. Video after the jump!

For background on how these scenes fit into Herheim’s overall concept, the always insightful Intermezzo is a good place to start.

The letter scene:

Last moments of Lensky’s death, followed by the Polonaise:

Final scene:

And the whole thing may be watched below. (Note: “Verbinden met videoserver” means “Video loading,” so be patient.)

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101 comments

  • 21
    werther says:

    BTW, Benedikt von Peter SUCKS!!!!! he is a conman. He has absolute no clue whatsoever about anything. TERRIBLE!

    • 21.1
      Regina delle fate says:

      Gawd -- I’ve only seen on of his productions. A dire Fidelio at the Komische Oper shorn of its overture and performed in the Ur-version in which Florestan was imprisoned in a rubbish skip. A never-again evening for me, anyway.

      • 21.1.1
        werther says:

        I saw his Idomeneo there…. appallingly boring. and the whole piece passes him by without him understanding ANYTHING.

  • 22
    ilpenedelmiocor says:

    K, WTF was up with the pathetic entrechat-quatre during the polonaise? Was that a comment on Mother Russia as well?

  • 23
    Nelly Melbacioiu says:

    Is it me or did this whole thread get deleted from the Parterre home page even though it’s still available on the site?

    In any case, I look forward to watching the whole Onegin after staying up too late watching the excerpts. Regardless of my verdict on specific moments, there is undeniably a level of directorial intelligence on display here that almost never makes it to the stage of American opera houses.

    And I agree with those who think Stoyanova’s Letter Scene seems to be pretty fabulous. A real shame if the conductor has indeed nixed a DVD release.

    • 23.1
      louannd says:

      I have watched most of it, and that letter scene was some stellar singing. I love opera that makes me think, and, you are right that directorial intelligence is lacking, though I have some high hopes for upcoming Santa Fe productions.