Headshot of La Cieca

Cher Public

  • olliedawg: I agree with the phrase, too. I, too, have been in concert performances where the physical... 9:20 AM
  • David: Must be a slow news day. Or La Cieca’s heard a ‘commonwealt h accent’ again:... 8:45 AM
  • manou: Here is Siepi http://songbook1.f iles.wordpress.com /2010/06/cesare-si epi-in-don-giovann i-1.jpg And... 8:41 AM
  • DellaCasaFan: Cesare Siepi also had an earring in the Salzburg 1954 production. Ever since I saw it on video,... 8:19 AM
  • laddie: A very nicely done staging of the overture here, Robert Carsen, OF COURSE! http://www.yout... 5:19 AM
  • laddie: I was thinking the same…gloriou s voice! 4:54 AM
  • WindyCityOperaman: Born on this day in 1900 composer Ernst Krenek httpv://www.youtub e.com/watch?v=M... 4:29 AM
  • Lohengrin: Same! 2:11 AM
  • Lohengrin: “Acting withe the voice”: a very good description, of what singers should be able to... 2:09 AM
  • Feldmarschallin: Just a few words since I am leaving here shortly but the last two performances in Salzburg... 1:33 AM

World weary

You only thought the “BrokebackEugene Onegin was the gayest possible take on the Tchaikovsky “lyric scenes.” Now, along comes La Cieca’s fave director Stefan Herheim‘s extravagant, transgressive, high-camp symbolist (and about a dozen other adjectives) approach to the work, “gay” in the very best sense of gay sensibility. Video after the jump!

For background on how these scenes fit into Herheim’s overall concept, the always insightful Intermezzo is a good place to start.

The letter scene:

Last moments of Lensky’s death, followed by the Polonaise:

Final scene:

And the whole thing may be watched below. (Note: “Verbinden met videoserver” means “Video loading,” so be patient.)

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101 comments

  • werther says:

    BTW, Benedikt von Peter SUCKS!!!!! he is a conman. He has absolute no clue whatsoever about anything. TERRIBLE!

    • Regina delle fate says:

      Gawd -- I’ve only seen on of his productions. A dire Fidelio at the Komische Oper shorn of its overture and performed in the Ur-version in which Florestan was imprisoned in a rubbish skip. A never-again evening for me, anyway.

      • werther says:

        I saw his Idomeneo there…. appallingly boring. and the whole piece passes him by without him understanding ANYTHING.

  • ilpenedelmiocor says:

    K, WTF was up with the pathetic entrechat-quatre during the polonaise? Was that a comment on Mother Russia as well?

  • Nelly Melbacioiu says:

    Is it me or did this whole thread get deleted from the Parterre home page even though it’s still available on the site?

    In any case, I look forward to watching the whole Onegin after staying up too late watching the excerpts. Regardless of my verdict on specific moments, there is undeniably a level of directorial intelligence on display here that almost never makes it to the stage of American opera houses.

    And I agree with those who think Stoyanova’s Letter Scene seems to be pretty fabulous. A real shame if the conductor has indeed nixed a DVD release.

    • louannd says:

      I have watched most of it, and that letter scene was some stellar singing. I love opera that makes me think, and, you are right that directorial intelligence is lacking, though I have some high hopes for upcoming Santa Fe productions.