Jerry Zaks’ high-gloss production, which trades heavily on a bland Americana at odds with the sharp satire of Meredith Willson’s libretto and timeless score, operates on all cylinders but fires on hardly any.
The fabulous Beth Malone is the Molly Brown of my dreams—forthright, bold, and a superbly gifted singer with just the right touch of country twang.
In our current political climate with issues of immigration, tribalism, and white nationalists, the 1957 musical West Side Story has a distinctly contemporary feel.
The career of our beloved Renée Fleming deserves to continue… by whatever means necessary.
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