The mixture of romance and realism in Sondheim songs, the revelation that while love could be grand and passionate it could also be mundane or inconvenient or mistimed or just plain embarrassing, was such a relief.
Steve adored puzzles, solving them and creating them, so it makes you wonder that this one continued to fester—was that so few of his songs attained the rank of “standard.”
When I think of Stephen Sondheim, so many of my memories are not simply about shows of his I loved and learned from—they are experiences that literally shaped my life.
Stephen Sondheim turns 90 on Sunday, prompting Trove Thursday to present his most “operatic” work, Sweeney Todd, in a rare 2002 performance with Christine Baranski and Brian Stokes Mitchell as the murderous duo.
The New York Gilbert And Sullivan Players is giving its umpteenth production of The Mikado through next Sunday at the Kaye Playhouse, and the show remains frisky and first rate.
Forty-five years ago today, Stephen Sondheim’s brilliant, frustrating Follies played its first Broadway preview at the Winter Garden Theatre.
East is West and West is East—the border ever less easy to fix.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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