Orlando Furioso

12 pieces since 2011.

12 pieces
16 years

Tales that witness madness

Orlando is the first of three Händel operas based Orlando Furioso, Ariosto’s 15th-century adaptation of the 12-century poem, Chanson de Roland, the other two operas being Alcina and Ariodante. This epic tale of heroism, love, reason and madness also served as the basis for operas by Lully, Vivaldi, Haydn and Scarlatti. In fact, Händel based […]

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All hell baroque loose

Many American opera-lovers take the “Grand Tour”—a pilgrimage to Europe to attend opera at its great houses—Peter Grimes at the Royal Opera in London or Otello at La Scala in Milan, or perhaps for the more well-heeled a visit to the summer festivals of Glyndebourne, Salzburg or Aix-en-Provence.  

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Midsummer madness

Handel’s Orlando is one of three operas Handel based on episodes from Ariosto’s best-selling sixteenth-century epic, Orlando Furioso. The story was, in 1733, well known throughout the Mediterranean world, and everyone set it to music—Vivaldi’s and Haydn’s settings have enjoyed recent revivals, and the libretto Handel set had originally been devised for Domenico Scarlatti. Intricate […]

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In the realm of the senses

Pornography being the seminal [sic] art form of our time, through which every other art is interpreted (I lament this, but what can you do?), and opera being in one of its periodic up-cycles, new ones being composed and premiered, old ones being dusted off for re-use, and stage directors feeling impelled, as they do, […]

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