Annapolis Opera presented a celebration of Leonard Bernstein’s reflections on love, relationships, and marriage, pairing a fully staged production of Trouble in Tahiti with a collection of songs from other Bernstein compositions.
On this day in 1951, the Metropolitan Opera presented a new production of Così fan tutte directed by Alfred Lunt.
Bess is clearly Angel Blue’s part—set in the richest and most shimmering upper middle portion of her voice, and optimally suited to her persona.
I’ve never liked the term “crossover.”
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