Paul Plishka 1941-2025
The American bass, a fixture of the Metropolitan Opera between 1967 and 2018, was 83.
L'elisir d'amore
85 pieces since 2005 — at 4 companies, most often at Metropolitan Opera.
85
pieces
4
companies
22
years
8 pieces as Metropolitan Opera — stats above show all coverage for L'elisir d'amore.
View all
Act two
Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.
Rebranding the Met
A quick survey of the Met website shows wide swaths of available seats for the upcoming performances of La traviata and L’elisir d’amore. Only new works like The Hours and Fire Shut Up in My Bones have been achieving sold-out houses.
Placebo effect
Good singing and a dramatically potent (if conservative) production were an unbeatable combination in the Metropolitan Opera’s season premiere of Donizetti’s L’Elisir d’Amore.
About a boy
These days a cadre of voluble opera-goers regularly issues dire warnings that anyone about to attend this or that production at the Met should close her eyes and just listen rather than witness yet another Peter Gelb regie “atrocity.”
Teenager in love
L’elisir d’amore, Donizetti’s evergreen comedy about young love, returned to the Met last night with a strong cast, a high energy level from all the performers, and last but not least, a very full house.
Liveblogging the Volpethon
11:40: Then Rene Pape matched Hvorostovsky, then Zajick matched (topped?) them both, then who the hell had the idiotic idea of doing the Easter Hymn with a mezzo who can’t sing it and the chorus apparently stoned or else in another city? (Oh, and did you notice the long, noisy scene change afterward? Vintage Volpe.)11:05: […]
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).