Self-flagellation Self-flagellation

One moral is that Eugene O’Neill may just not be opera fodder.

Remember my forgotten soprano Remember my forgotten soprano

This week Chris’s Cache features Maria Chiara, Elena Mauti-Nunziata, Rita Orlandi-Malaspina and Orianna Santunione in L’Amico Fritz, Mefistofele, Simon Boccanegra and La Fanciulla del West, respectively.

Love, your magic spell is everywhere! Love, your magic spell is everywhere!

Teatro Grattacielo presented two visions of love’s magic on November 13 and 14—one via Spain and Argentina (in collaboration with Opera Hispánica) and the other via Alsace by way of Italy.

Can we still be friends? Can we still be friends?

As soon as James Clutton, the new Opera Holland Park director, stepped on stage to welcome the audience, we all knew that we were not at the typical English summer opera festival.

Skyscrapers marching on Skyscrapers marching on

If you have not been following the exploits of Teatro Grattacielo during lockdown, it’s not because they haven’t been exploitatory all over the place.

Multiple Mascagni Multiple Mascagni

Cavalleria Rusticana began Pietro Mascagni’s career with a bang, and despite a number of fine subsequent works the composer never again achieved the same lasting success that he had with his first.

Suddenly spinto Suddenly spinto

When soprano Yihan Duan started to sing her aria, you could feel an almost electric charge that something special was happening.

Monday in the park with mike Monday in the park with mike

From up close, the miked opera singer can be a bit tough to take.

New faces of 2014 New faces of 2014

Once upon a time, a man and a woman met. He could sing, she could sing. They fell in love, got married, and became a power couple to rival Billary.

Cross purposes

It was while attending a performance of Fédora in Naples in 1885 that eighteen year-old Umberto Giordano fell in love with Sardou’s then immensely popular play; the protagonist was none other than Sarah Bernhardt, the creator of the title role. He immediately asked the French dramatist to sell him the rights, a request Sardou did…

Cherry picking

“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera,…