Self-flagellation
One moral is that Eugene O’Neill may just not be opera fodder.
11 pieces since 2009.
One moral is that Eugene O’Neill may just not be opera fodder.
This week Chris’s Cache features Maria Chiara, Elena Mauti-Nunziata, Rita Orlandi-Malaspina and Orianna Santunione in L’Amico Fritz, Mefistofele, Simon Boccanegra and La Fanciulla del West, respectively.
Teatro Grattacielo presented two visions of love’s magic on November 13 and 14—one via Spain and Argentina (in collaboration with Opera Hispánica) and the other via Alsace by way of Italy.
As soon as James Clutton, the new Opera Holland Park director, stepped on stage to welcome the audience, we all knew that we were not at the typical English summer opera festival.
If you have not been following the exploits of Teatro Grattacielo during lockdown, it’s not because they haven’t been exploitatory all over the place.
Cavalleria Rusticana began Pietro Mascagni’s career with a bang, and despite a number of fine subsequent works the composer never again achieved the same lasting success that he had with his first.
When soprano Yihan Duan started to sing her aria, you could feel an almost electric charge that something special was happening.
From up close, the miked opera singer can be a bit tough to take.
Once upon a time, a man and a woman met. He could sing, she could sing. They fell in love, got married, and became a power couple to rival Billary.
It was while attending a performance of Fédora in Naples in 1885 that eighteen year-old Umberto Giordano fell in love with Sardou’s then immensely popular play; the protagonist was none other than Sarah Bernhardt, the creator of the title role. He immediately asked the French dramatist to sell him the rights, a request Sardou did […]
“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera, […]
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