Fractured féerie tales Fractured féerie tales

Félix Fourdrain‘s “féerie” Les Contes de Perrault by the Frivolités Parisiennes is as fun for adults as it is for children

Consumptive professionals Consumptive professionals

Given the keen interest in recent posts of Met pirates of Montserrat Caballé in Verdi, Chris’s Cache concludes its trio with the Spanish soprano’s Met Violetta, along with additional Met in-house recordings of Virginia Zeani, Pilar Lorengar, Jeanette Pilou, and Joan Sutherland as Verdi’s doomed courtesan.

The color of Monet The color of Monet

When I saw that Richard Bonynge AC CBE, conductor and musicologist supreme, had authored a book titled Chalet Monet about the home he shared with his wife, La Dame Joan Sutherland OM AC DBE, in Les Avants, Switzerland I practically had to wipe my chin.

Et voila l’histoire Et voila l’histoire

To mark Beverly Sills’s 90th birthday (May 25, 1929) “Trove Thursday” offers the late diva’s acclaimed Massenet heroine opposite her ideal Des Grieux, Alain Vanzo.

Prophète bien aimé Prophète bien aimé

New Amsterdam Opera specializes in American singers whose abilities are as yet little known.

Murder on the orientation express Murder on the orientation express

Rufus Wainwright is determined to offer a spectacle and that intention overrides all other considerations.

Sinner and Scott Sinner and Scott

Among the highlights were concert performances of Jules Massenet’s Thaïs and Otto Nicolai’s Il templario.

Top of the heap Top of the heap

You will be happy to hear that Michael Fabiano was the unrivaled star of the Richard Tucker Foundation Gala tonight.

The butterfly effect The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

“Ne m’accuse pas, pleure-moi!” “Ne m’accuse pas, pleure-moi!”

Jules Massenet wrote Werther at the midpoint of his very successful career.