La Cieca hears that the dress rehearsal of Nabucco at the Met earlier today came to a halt when the statue of Baal burst into flames.
I can think of no other role that provides the most unique promise of humiliation, and consequently the most opportunity for glory.
Much like Wagner’s Tristan und Isolde, which launched the Met’s 2016-2017 season, Kaija Saariaho’s L’Amour de Loin is an opera about love and death.
When Sonja Frisell‘s Met production of Aïda was new and starred Oklahoma native Leona Mitchell, the similarly-intialled Latonia Moore was nine years old, singing in the choir of her pastor grandfather’s church.
Anna Netrebko‘s Manon was deeply unforgettable for its wide scope, control, and incredible virtuosity.
Miss Battle was greeted with a thunderous ovation befitting a beloved singer at the end of an illustrious career.
The celebrated ‘Triumph’ scene… borders on homoerotic porn.
Dallas native Roger Kaiser, identified as the guy who sprinkled a mentor’s ashes in the pit of the Met yesterday (and all that came after) is a parterre commenter.
A source close to the Met says tonight’s L’italiana in Algeri has been canceled in the wake of an incident this afternoon when “somebody dumped an unknown white powder into the pit following act 3″ of Guillaume Tell.
The centerpiece of Janácek’s Jenufa was the performance of Karita Mattila as the murderous Kostelnicka.
“He towered over the listless supporting cast like Daniel Day-Lewis guest-starring in a marionette show.”