I often think of Boys in the Band as the gay play equivalent of Kern and Hammerstein’s Show Boat—it’s hugely important in theater history, but the politics have become extremely problematic.
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“The worst public in the opera are these obsessed gays. . . . All these rich guys with nothing to do in their life, just following Anna Netrebko or Jonas Kaufmann on all continents. This is not a real audience for me.”
When Adonis Calls is “the story of an accomplished author struggling with writer’s block who is contacted by an eager young fan interested in both an artistic and personal correspondence.”
The above is, bar none, the greatest headline ever written.
Queer Nation claims responsibility for tonight’s political action in Carnegie Hall, chanting “[Valery] Gergiev, Your Silence is Killing Russian Gays!”
La Cieca (not pictured) is delighted to hear of the success of Friday night’s vigil by Gays Without Borders for LGBT citizens of Russia at the opening night of the San Francisco Opera’s new season.
“The Met is proud of its history as a creative base for LGBT singers, conductors, directors, designers, and choreographers.”
The blogger Crew Mantle, who is perhaps best known as that fellow who attends opera performances wearing a frilly Venetian carnival mask, complained earlier this week about something or other (who can say, really?) but more to the point he made a catty observation on the subject of La Cieca’s adored cher public (pictured), and…
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