Wolf Trap Opera triumphs in a fizzy, fun Cenerentola.
Fine music-making meets a clunker of a production in La Monnaie‘s revival of Norma
Norman Lebrecht, who is now actively trying (and failing) to destroy classical music—and why not: look how cruelly the industry has treated him!—has published a “review” from a “critic” who walked out of a three-act opera after the first act.
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