Apparently, we learn very little in life; the follies we pursue with haste in youth are answered by the follies we commit in age with great deliberation.
The chicken or the egg?
The diva must be a Diva in Adriana Lecouvreur. Fact.
The most wonderful thing about opera on video is the vicarious thrill of seeing performances of important works in the most glamorous foreign theaters in gala presentations with musicians of great renown for a piddling fraction of the cost.
Richard Wagner told Cosima he first got the idea of composing an opera about Tristan and Isolde while he was conducting Bellini’s I Capuleti e i Montecchi starring his muse, Wilhelmine Schröder-Devrient, in the trouser role of Romeo.
Is the threnody, the lament over a beloved corpse, the oldest form of song? Surely it is among the oldest; one of the most widespread and stylistically various, millennia before opera was devised.
This Hans Neuenfels staging for the Bayreuth Festival caused quite a stir at its 2010 premiere, but now, with time and distance, how radical is the production?
Manuel de Falla’s La Vida Breve makes its video debut with this release from C-Major which means there’s still plenty of opportunities for improvement.
Our Own JJ has been spending a lot of time outdoors lately, which is such a novelty for him that he felt he really must write about it.
Richard Wagner believed the key to any legend was contrasting the supernatural with human nature, and showing how the combination had no chance of enduring. In Lohengrin, the title’s character’s insistence on unconditional love and trust collide with the conditional expectations of the real world. The challenge is capturing the tale’s somber majesty without losing…
The cover picture on the Opera Australia’s DVD
of a 2011 production of Mozart’s Don Giovanni is rather startling.
“Yet the evening’s first words, heard in the set-piece Ombra ma fui—like all of Xerxes’ arias sung with monarchic sprezzatura and amoral relish by Stella Doufexis…”
Sometime in 1753, Frederick The Great of Prussia, following a tiff with his great friend Voltaire, began writing an opera libretto in French prose that was to elucidate his ideas about the role of an enlightened monarch.
The story is enough of a cipher to make any regie-bent director salivate.
On this Gay Pride weekend, I remember my late friend Robert Chesley, activist and playwright (Stray Dog Story), who had also been an elementary schoolteacher.
As a child I had but a few criteria that were necessary to ensure a happy entertainment. These included mostly ball-gowns, fairy godmothers and Julie Andrews, though Sally Ann Howes was acceptable in a pinch.
This year, I attended one of Natalie Dessay‘s only fully-sung Traviatas at the Met.
Richard Strauss’s “last romantic opera,” as he called Die Frau Ohne Schatten, is and has always been a problem child.
The operas of Leos Janácek have been slowly gaining ground in the world’s theatres over the past fifty years.
L’incoronazione di Poppea nearly disappeared from the stage completely after its 1642 Venice premiere and a Naples revival in 1651.
Die Entführung aus dem Serail has been a bit of an unruly child recently, with productions by Neuenfels and Bieito dividing audiences and inspiring critics like Heather MacDonald to lengthy manifestos.
One of my adolescent pastimes was trolling the classical cut-out bins in record stores searching for overlooked gems or unfamiliar singers.
Of all the Olympics-related products created to honor the upcoming summer games in London, surely one of the oddest must be a brand new pasticcio just released on a two-CD set
by Naïve—L’Olimpiade.
Jules Massenet’s Don Quichotte was one of a number of commissions from the Monte Carlo Opera that occupied the composer at the end of his life.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
