parterre box published its first issue on December 3, 1993. That date was chosen because Our Own JJ wished to honor the 70th anniversary of the birth of Maria Callas.
By James Jorden
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Can it really be 40 (Four, oh!) years since La Cieca was born?
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“We are all interested in the future, for that is where you and I are going to spend the rest of our lives.”
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Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art.
By Roy Wood
That day we all knew eventually would come did come, in the winter of 2001, when the final issue of parterre box, the queer opera zine was mailed out to the cher public, such as they were at the time.
By La Cieca
The winds of change sweep across the first post-9/11 issue of parterre box, the queer opera zine.
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In issue #46 of parterre box the queer opera zine (“Spunk”), you will find an endorsement by the legendary Astrid Varnay.
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Devotees of Dawn Fatale (and you are legion!) will be delighted to hear that the parterre scribe made an early (2001!) appearance in issue #45 of parterre box, the queer opera zine, ranting about the “squish-squish school of opera direction.”
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In a slight detour from the usual all-opera-all-the-time format of parterre box, the queer opera zine, issue #44 centers on Ben Letzler‘s superb appreciation of film and cabaret diva Zarah Leander.
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Issue #43 of parterre box, the queer opera zine is called “Marc Two” in honor of dramatic soprano Alessandra Marc, subject of an interview with Our Own JJ.
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With issue #42a, “City of Dreams,” parterre box the queer opera zine returns at least temporarily to a rational numbering system.
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Before you ask, cher public, there is no Issue #41 of parterre box, the queer opera zine, or, rather, this issue, #42 is the 41st.
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In Issue #40 of parterre box, the queer opera zine, Our Own JJ nabs lengthy interviews with critic John Ardoin and tenor Richard Leech.
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The very first words in this issue are “Renata Scotto will return to the American operatic stage in the 2001 season!”
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Oddly enough, Eva Marton‘s interpretation of the Kostelnicka (pictured) goes unmentioned in Issue #38.
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The celebrated “lost” issue of parterre box, the queer opera zine (now found, thanks to the avid cataloging of Indiana Loiterer III.)
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“Richard Bernstein is a very good-looking guy, even with his clothes on.”
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“La Cieca cannot imagine it is much fun to sing ‘Dove sono’ when you’re suffering a fresh case of the Reno jumpy-wumps.”
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In Vintage Issue #32: How that opening night of Lohengrin might have gone; La Cieca on La Gran Scena…
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As the celebrations for the 20th anniversary of parterre box continue, La Cieca (left) introduces a new feature: each week, a vintage issue of parterre box, the queer opera zine, scanned into PDF format for handy download!
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Twenty years ago, a sad and lonely gay man sat down with a pair of scissors and a glue stick and said, “I think I’ll make a magazine.”
By La Cieca
