The ultimate in Diva worship – where she can do no wrong.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Nothing helped me understand Verdi better than Alessandro Manzoni‘s I promessi sposi.
A brilliant L’italiana in Algeri in Rome has Larry Wolff once again thinking about “singing Turks”
I first read Edith Hamilton‘s classic book on Greek mythology about sixty years ago.
What better beach read than a juicy diva autobiography?
The earliest days of recording told by F.W. Gaisberg, the man who recorded Patti, Melba, Moreschi, and Tamagno among many others.
Not really an opera book but, c’mon, it’s Bach.
I did not expect Dorothy Kirsten‘s autobiography to be so rewarding a read: I did so twice.
A juicy, guilty pleasure read!
According to the memoirs of Alma Mahler, her third husband, Franz Werfel used to wander around the cafés of Paris with one of his chums, singing arias from obscure Verdi operas at the top of their lungs until the management would ask them to move on.
Giovanni Verga‘s short story (which he adapted as a play with Giuseppe Giacosa) provides the basis for Mascagni‘s famous opera.
Alex Ross wrote an exciting, gorgeously detailed examination of, for better or worse, Ricky’s far reaching influence on music, theatre, architecture, film, literature, mental illness, Satanism, Homosexuality, and rough sex.
Vishnevskaya writes rather as she sings.
With tenth anniversary productions of Fellow Travelers, the heart wrenching gay romance opera by composer Gregory Spears and librettist Greg Pierce, due to grace several major U.S. companies next season, what better way to commemorate Pride Month than by reading Thomas Mallon’s 2007 historical novel on which it’s based?
Julian Budden‘s masterful, three-volume analysis of the entire Verdi oeuvre is fascinating reading.
Although presented as an overview of the performance of Italian opera from the first half of the 19th century, Divas and Scholars is really an impassioned defense of musicology as a discipline and of Italian opera as a subject worthy of scholarly attention.
If you love the astonishing vocal works of J. S. Bach, John Eliott Gardiner’s 2013 book is a deeply rewarding read.
A fascinating autobiography that delivers both on the diva anecdotes and on intelligent artistic observations about the singer’s life.
Fascinating account of the role of musical theater in an uneasy context of art emerging from the conflict and resolutions of high culture and popular sentimentality in an era where elites were challenged by political instability.
Man, I tried so hard to get this commissioned as a radio drama, because I want everyone to know what a ride this book is.
Not about opera per se, Sweeney Todd notwithstanding, but I’m looking forward to reading the poignant and touching ode to Sondheim’s oeuvre by Richard Schoch.
Joseph Caldwell produced this charming tale from a year spent in Italy on the Rome Prize from the American Academy of Arts and Letters.
I think most of us have come around to recognizing John Adams‘s Doctor Atomic the masterpiece that it is.
