Philip Glass’ 1980 opera “Satyagraha” is a very high-minded work, but it never hides behind its principles. Musically and scenically the Met’s production (seen April 11) would rank as a successful work of art even if its subject matter were less inspirational. Our own JJ’s review appears in the current issue of Gay City News.
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[Our Own Gualtier Maldè reports from this afternoon’s dress rehearsal of La Fille du Régiment] The Met has another hit on its hands — though not a totally new one, this production and cast already having triumphed at Covent Garden and the Vienna Staatsoper. Laurent Pelly (who vies with Davide Alagna and Mark Streshinsky as…
So we may chat about something besides Miss Battle and the Pope, La Cieca offers you a quiz she’s been keeping in the vault for just such an occasion. It’s devised by Our Own Sanford, and it features 12 vocalists performing the “Bachianas Brasileiras No. 5.” Hint: the first voice you hear is that of…
“Three situations that inspire terror in any opera singer — going on as an understudy, making a Metropolitan Opera debut, singing that most challenging of all tenor roles, Wagner’s Tristan, for the first time. On March 14, Gary Lehman took on all these challenges in a single evening, emerging a hero.” Our Own JJ comments…
Even as La Cieca writes this, that legendary grande dame thespian Zoe Caldwell is treading the boards of the Level “C” rehearsal room at our own little Metropolitan Opera in preparation for her debut with the company as the Duchesse de Krakenthorpe in La Fille du Régiment. (Imagine how impressive she’ll be once she’s in…
Our own JJ recounts how “John Doyle‘s new staging of Britten’s Peter Grimes at the Metropolitan Opera sinks without a trace” in the current issue of Gay City News.
Those A&R geniuses over at Sony BMG have done it again, signing 33 year old former shepherd and massage therapist/bricklayer Costel Busuioc to a recording contract after he placed first in the televised singing competiton “Hijos de Babel.” (The title of the show means “Children of Babel,” which La Cieca believes was also an episode…
Our Own JJ was at the Met last night (and part of this morning) to review Tristan und Isolde for Gay City News. As such he witnessed the rather astonishing series of events that Atomic Wings told you about earlier. La Cieca cannot of course ask JJ to comment on the specifics of the performance…
A loyal reader writes: I wanted to let you know that the Tristan prima was a disaster. Only because of the Tristan (which, I guess we can’t relegate to a minor consideration), since it was otherwise mostly okay — if you can accept zero visual dramatic sense in the whole expedition. (As an extreme illustration of this…
Calixo Bieito? Over! Peter Konwitschny? Yesterday’s news! And David McVicar? Head for the showers! The new home of cutting-edge Regie is in little Seattle, my god, and who could have devised so utterly innovative and openly homoerotic take on Salome? Our Own Wenarto, of course!
Our Own Sanford reports from this afternoon’s National Council Grand Finals Concert at the Met. First things first: No hunkentenors, but Edward Parks is a barihunk, and Christopher Magiera is almost a barihunk. Now to the important stuff. There were nine singers in the final, and I would say that 10 of them deserved to…
… well, not tonight, actually, but on Saturday afternoon, when La Cieca once more will convene the faithful for a live chat on the topic of the Met broadcast of Manon Lescaut. Now, honestly cher public, how was La Cieca to resist? You’ve already read Our Own JJ‘s reaction to the performances of Karita Mattila…
“Even though Puccini’s first successful opera is called Manon Lescaut, the eponymous party girl is not the real protagonist of the work. By far a more interesting character — and the recipient of Puccini’s most grateful music — is her lover Des Grieux.” Our Own JJ reviews the Met’s revival of Manon Lescaut in the current…
Our own JJ‘s little scribblings over at Gay City News are now indexed on a handy page here at parterre.com.
La Cieca urges you in the cher public to register on parterre.com. After the simple registration process, you should remain logged in to the site indefinitely, or anyway until you deliberately log out (see the “meta” section of the menu bar to the left). The advantage of registering is that you will not need to key…
As quite a few of the cher public surmised, the most recent Regiequiz depicted a production of Don Giovanni (at the Landestheater Linz, to be precise) featuring barihunk Martin Achrainer as the eponymous erotomaniac: Herr Achrainer has become something of a blogger’s darling of late, featured at Barihunks as well as Our Own site in…
Yes, that’s our own Susan Graham, starring in an operatic version of the hit film Transamerica. Kudos to the hair, makeup and costume people of the Opera national de Paris for making Susie look so convincingly like a pre-op transsexual! Well, no, actually, the opera is Iphigenie en Tauride, and apparently the opening night audience…
La Cieca has just heard that Neil Shicoff has canceled the dress rehearsal of Luisa Miller at the Met; Eduardo Villa (cover for the run) will do it. And La Cieca has heard further that Sergio Blazquez, scheduled to make his NYCO debut in La boheme in April, is having visa problems, so Gerard Powers…
Scuttlebutt from the Met says that Angela Gheorghiu hankers to sing Strauss’s Salome — though presumably she would workshop the role in a more friendly venue first. In other whisperings, La Cieca has heard that Peter Gelb is currently ensconced in the office once occupied by Beverly Sills. Apparently he’s to remain there until the…
Maria Guleghina‘s first Vespri Elena. Hurricane Katrina. You write your own joke. From Playbillarts.
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