According to a review by Vivien Schweitzer in this morning’s NYT, the staid old Metropolitan Opera introduced a rather startling new plot element into their current revival of Entführung aus dem Serail:
Until recently, soprano Diana Damrau was unaware of reports of steroid abuse in the 18th century seraglio. (Photo by Ken Howard, Metropolitan Opera.)
La Cieca thanks you all for your lively conversation during this afternoon’s chat about La Fille du Régiment.
Philip Glass’ 1980 opera “Satyagraha” is a very high-minded work, but it never hides behind its principles. Musically and scenically the Met’s production (seen April 11) would rank as a successful work of art even if its subject matter were less inspirational. Our own JJ’s review appears in the current issue of Gay City News.
In what La Cieca hopes may be a quiet voice of reason, or, failing that, just for the sake of clarity, she would like to quote from the press release announcing the Met’s program for the summer of 2008. “We are trying something new this summer, which we think will be especially appealing to all…
The accustomed Peter Gelb ballyhoo was not in evidence this morning when the Met very quietly let it be known that the company’s Parks concert series would not take place this summer. According to a rather modest item in today’s New York Times, in lieu of the familiar format of a “tour” of the city’s…
La Cieca is putting her entire nest egg into popcorn futures, since next season opera lovers will rarely emerge from their local movie palace. The Met will do an astonishing 11 HD simulcasts during the 2008-2009 season. Monday, September 22, 2008: Opening Night Gala starring the astonishingly well-preserved Renée Fleming in fully staged performances of La Traviata (Act…
Ramón Vargas sings the season’s final performance of Un ballo in maschera tomorrow night at the Met, substituting for Salvatore Licitra, who presumably has better things to do elsewhere.
So what has so incensed readers of the New York Times that they have fired off a whole page of letters to the editor? Obama’s “bitter” remark? Immigration? DIplomacy with Israel? None of the above, in fact: topic du jour for Monday April 21 is the Met’s new policy on renewals for subscriptions to the…
A few minutes ago the Met’s website was updated to reflect the key casting news that the role of Lady Macbeth will be sung by Hasmik Papian in the final three performances of Verdi’s Macbeth this season. These three dates were originally assigned to Andrea Gruber, who now officially will sing no performances at the…
So, who’s listening to the broadcast of Satyagraha? Reactions?
In her classic romp Goin’ to Town, Mae West quipped, “When I’m good, I’m very good. But, when I’m bad, I’m better.” While Leontyne Price has never been quite so quick with the one-liners as dear Mae, she certainly can demonstrate the truth of La West’s epigram. Here, in a clip from a 1982 performance…
[Our Own Gualtier Maldè reports from this afternoon’s dress rehearsal of La Fille du Régiment] The Met has another hit on its hands — though not a totally new one, this production and cast already having triumphed at Covent Garden and the Vienna Staatsoper. Laurent Pelly (who vies with Davide Alagna and Mark Streshinsky as…
So we may chat about something besides Miss Battle and the Pope, La Cieca offers you a quiz she’s been keeping in the vault for just such an occasion. It’s devised by Our Own Sanford, and it features 12 vocalists performing the “Bachianas Brasileiras No. 5.” Hint: the first voice you hear is that of…
Dear Addison DeWitt once said, “You have a point. An idiotic one, but a point.” Actually he didn’t say it to La Cieca, but that’s neither here nor there. Since your doyenne is what you might call pathologically determined to see both sides of every questions, she’s going to reopen the can of worms here…
 Followers of trash TV will no doubt recognize the following clip from “Real Housewives of New York City,” in which big-boned socialite Alex and her gayish husband Simon prepare to attend opening night at the Metropolitan Opera … in a stretch limo …
“Qual petto percota non vegga il pugnal!
La Cieca has just heard that that veteran thespian Marian Seldes will make her Metropolitan Opera debut on April 21 as the Duchess of Krakenthorp in the company’s new production of Donizetti’s La Fille du Régiment, replacing Zoe Caldwell, who is ill. La Seldes will play the Duchess for the entire run of performances through…
In all the publicity surrounding last week’s memorials to Dr. Martin Luther King Jr., a far more put-upon martyr has been virtually ignored by the mainstream media. Celebrated freedom fighter Franco Zeffirelli is making veiled suggestions (through a “friend”) that, should the Met mothball such “masterpieces” as his 20-year-old Tosca production, supporters of the octogenarian…
La Cieca wants to reassure her cher public that she has neither fallen off the face of the earth nor succumbed to that mysterious illness that’s killing all the bloggers. The last few days have been something of a slow news period for opera gossip and your doyenne has taken advantage of that fact by…
Our previous Regiequiz was something of a “gimme,” since so many of you could easily guess it was Das Rheingold. This one may be a bit more difficult.
“Three situations that inspire terror in any opera singer — going on as an understudy, making a Metropolitan Opera debut, singing that most challenging of all tenor roles, Wagner’s Tristan, for the first time. On March 14, Gary Lehman took on all these challenges in a single evening, emerging a hero.” Our Own JJ comments…
Even as La Cieca writes this, that legendary grande dame thespian Zoe Caldwell is treading the boards of the Level “C” rehearsal room at our own little Metropolitan Opera in preparation for her debut with the company as the Duchesse de Krakenthorpe in La Fille du Régiment. (Imagine how impressive she’ll be once she’s in…
La Cieca’s spy, just returned from the Metropolitan Opera Guild luncheon at the Waldorf-Astoria honoring Franco Zeffirelli, reports: Lynn Redgrave did the voiceover for a video retrospective of Zeffirelli’s life, beginning with his origins as a “love child” (news to me). But the highlight was Angela Gheorghiu. After performing two Romanian folk tunes nobody knew or…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.