Overheard after last night’s performance of Nixon in China: “That’s the first time I’ve heard the word ‘motherfuckers’ shouted from the Met stage since John Dexter resigned.”
All this talk about girls and ladies prompted La Cieca to turn (not for the first time!) to Brad Wilber’s Met Futures Page, freshly updated just a couple of days ago. So detailed and fascinating is Brad’s vision of the future that La Cieca is inspired to invite the cher public to play a little…
There were a disproportionate number of young people at the Met today—even younger than me, which is really young. That made me happy and smile while filing in line to enter the auditorium. Hopefully this is the next generation of undying fans and queens about to plunge into a “new” world of opera spearheaded by…
La Cieca (pictured) is going to go out on a limb here, cher public, based on bits and pieces of gossip, a hard fact or two, and her own occasionally flawed powers of ratiocination. Her prediction: James Levine will retire as Music Director of the Metropolitan Opera, effective at the end of the 2011-2012 season.…
In fact, Lucia is due in New York in less than a month, but current reports about the proposed prima donna are not encouraging.
Quoth the Met press office: “Piotr Beczala will sing the Duke in Verdi’s Rigoletto on Thursday, January 27, replacing Joseph Calleja who is ill.”
Of all places, NY1’s “Inside City Hall” is the setting for an opera roundtable tonight when John Adams, Peter Sellars, James Maddalena, and Peter Gelb appear on the program to discuss the impending premiere of Nixon in China at the Met. “Inside City Hall” airs at 7 p.m. tonight with a special edition after the…
La Cieca has (all together now) a hunch that the cher public would enjoy discussing this afternoon’s performance of Rigoletto during the Met broadcast beginning at 1:00 pm. Details after the jump.
“Pre-performance applause often signals gratitude for past glories. In this case, it was only a preview of the stomping and cheering following that night’s performance of Verdi’s Simon Boccanegra — well-deserved acclaim for a masterpiece of conducting.” So says Our Own JJ in the New York Post.
Not to scoop Brad Wilber (if such a thing were possible!) but La Cieca has just heard that the much-discussed opening night of the Met’s 2012-13 season has been settled. Starring in a new Bartlett Sher production of L’elisir d’amore will be Anna Netrebko, Matthew Polenzani and Mariusz Kwiecien, with Dulcamara and conductor TBA.
La Cieca (pictured) invites the cher public (also pictured) to a chat this afternoon at 1:00 PM EST during the Met broadcast of La traviata (likewise pictured). Details follow the jump!
“A show can get better for a long time without ever getting good.” Our own JJ muses on the revised staging of Tosca on view this season at the Met. [Rough and Regie]
Says the Met press office: “Roberto De Biasio will make his Met debut as Gabriele Adorno in the Thursday, January 20 opening performance of Simon Boccanegra, replacing Ramón Vargas, who is ill. Mr. Vargas is scheduled to sing the remainder of the performances.”
Fans of Joyce DiDonato and fairness (and there is considerable overlap between the two groups) will be happy to know that the Metropolitan Opera, as part of a settlement in a civil rights lawsuit, has agreed to increase accessibilty to the opera house, including the installation of additional wheelchair seating. [NYT]
“This year may go down as one filled with surprises at the Met, kicking off with an unexpected role for a familiar tenor and a dazzling debut for a budding superstar.” [New York Post] (Photo: Ken Howard / Metropolitan Opera)
UPDATE: “Roberto Alagna will make his Met role debut as Cavaradossi in tonight’s opening performance of Tosca, replacing Marcelo Álvarez, who withdrew this afternoon due to the lingering effects of a cold.” Whoever her tenor might be, the occasion of parterriani fave Sondra Radvanovksy‘s first Met Tosca calls for dancing in the streets, drinking in…
Willy Decker’s Traviata has garnered praise from critics and audiences alike in the week since its Metropolitan premiere, but (as was to be expected) this praise comes over the complaints of a select few traditionalists, a handful of lonely boos amid the mostly enthusiastic applause. Their objection (as usual) is that Decker’s production betrays the…
La Cieca welcomes “the boys” (and girls, too!) to a chat during this afternoon’s broadcast of La fanciulla del West from the Met. The first shot will be fired at 1:00 pm precisely!
Lovely Marina Poplavskaya, arriving at the Mercedes T. Bass Grand Tier for dinner following the opening night of La traviata, demonstrates that the previous Franco Zeffirelli production has not gone to waste. The latter-day Scarlett O’Hara‘s motto: “Reduce Reuse Recycle!”
As La Cieca (pictured, alas) whoops it up somewhere in the vicinity of Lincoln Center tonight, she hopes that you, the cher public, will at least kick off your festivities with a chat during tonight’s Met prima of La traviata, beginning at 7:00 pm. Details after the jump.
La Cieca’s spy wriggled into last night’s Met dress rehearsal of La traviata and reports: “One has to be careful about making too many judgments or drawing too many conclusions from a rehearsal, but last night’s final dress was indeed very promising.”
No programs for last night’s Fanciulla, just someone had worked overtime on the copier to give us a cast list and plot summary. If no delivery for the glossy, fully 3k people there, just slight slip and slide on the Plaza enough to keep me gripping the alpenstock. (A weapon of Individual Destruction, permitted by…
As we look forward to New Year’s Eve and to the gala opening of Willy Decker’s La Traviata at the Met, it seems fitting to look back—by way of the official, live, DVD recording of the production’s sensational world premiere at the Salzburg Festival in 2005—to get some sense of what’s behind all the hype.…
So the gossip La Cieca has been picking up is that at some point there were plans at the Met to open the 2012-13 season with Eugene Onegin featuring Mariusz Kwiecien, Anna Netrebko and Matthew Polenzani. The soprano and baritone were also booked to open the 2013-2014 season with new production of La bohème. Then…
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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