It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
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I have an idea (soon to be angrily debunked in the comments section) that Le nozze di Figaro is rarely a source of unalloyed bliss to the chronic operagoer.
Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
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