Cocooned in an amiable production of Theo Morrison‘s revised Oscar, David Daniels flew to new heights in the congenial title role.
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Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art.
David Daniels and Whitney Walters will be married on June 21st in Washington, DC by none other than Supreme Court Justice Ruth Bader Ginsburg.
After Heart of a Soldier, The Perfect American, The Gospel According to Mary Magdalene, et al., the premiere of Theodore Morrison’s Oscar in Santa Fe last Saturday came as a welcome relief.
Giulio Cesare at the Met proved an evening that added up to much more than the sum of its uneven parts.
Nearly 30 years after a Handel opera last played there, Carnegie Hall presented The English Concert opening a three-year opera-oratorio project on Sunday afternoon with Radamisto.
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
David Daniels (left) headlines a special sneak preview of The Enchanted Island on Wednesday, December 7 at The Jerome L. Greene Performance Space. Also on hand will be Danielle de Niese, Lisette Oropesa and Luca Pisaroni, plus the pasticcio’s creative team, writer Jeremy Sams and director-designer team Phelim McDermott and Julian Crouch. Midge Woolsey hosts.…
La Cieca hears that parterre fave David Daniels will get all eponymous and stuff for a world premiere opera entitled Oscar, based on the life of Oscar Wilde, for Santa Fe Opera in 2013, with Opera Company of Philadelphia to follow. The work is to boast music by Theodore Morrison and a libretto and stage…
Among symbolic classical tropes, one of my favorites (perhaps because only another classicist will understand it) is Nessus’ Shirt, an emblem of glory (a promotion, say, or an expensive luxury) that destroys you.
Now, don’t you go thinking that Peter Gelb doesn’t listen to his public, which intersects quite steeply, of course, with the cher public. For instance, just the other day La Cieca and a couple of others were lamenting that opera has lost some of it mad silly gay folie lately. Lo and behold, today it…
Oh, yes, La Cieca agrees that an opera based on the life and career of Hillary Rodham Clinton sounds like a great idea. But is this really a role for David Daniels?
Due to server snafu, La Cieca has had to repost the “Che Faremo” poll. Please feel free to vote again (or for the first time!) Who should replace Lorraine Hunt Lieberson in the Met’s production of Orfeo? Alice Coote David Daniels Susan Graham Bejun Mehta Ewa Podles Dolora Zajick Nessuno — cancel the production!
Posted, by some odd coincidence, to a David Daniels discussion board: “Remember, a Baroque opera has the same structure as a hard-core porn film: several minutes of boring dialogue/recitative, and then ten-minute sessions/arias where the stars show off their assets and climax in a spectacular ‘cadenza’.”
(1) Alessandra Marc is the soprano who was inspired by Leontyne Price‘s “Zweite Brautnacht.” (2) David Daniels’ favorite soap is “The Guiding Light.” (3) Evelyn Lear sang “The Boy from Ipanema.”
Be sure to check back here on parterre.com at noon (17:00 GMT) tomorrow for the First Unnatural Acts of Opera Gala and Quiz, featuring performances by Leontyne Price, Placido Domingo, Beverly Sills, Simon Keenlyside, David Daniels, Regine Crespin, Piero Cappuccilli, Regina Resnik, Diana Soviero and Eleanor Steber. (There will be some filth as well, but…
Debuting today on Il Gran Teatro della Cieca, “Femmes Fatales,” a program featuring deadly divas. Featured are complete and demented performances of L’incoronazione di Poppea, Macbeth, Samson et Dalila, Jenufa and Turandot. The lethal lovelies in question are Anna Caterina Antonacci, Shirley Verrett, Oralia Dominguez, Anja Silja and Montserrat Caballe; victims and co-conspirators include David…
All right, boys, get your bold-faced fonts out. It seems that at Oprah Winfrey‘s “Legends Ball,” none other than Leontyne Price asked specially to meet fellow guest/legend Mariah Carey. La Carey (who admits that at first she thought the diva mistook her for someone else) reports that Lee chatted with her about her music and…
You could say last night at the Met was a typical Aprile Millo performance, if that expression were not essentially an oxymoron. “Typical” and “Millo” really don’t intersect in this dimension (maybe somewhere on a spiritual plane? But I digress.) Let’s just say that, what happens at a Millo night, happened last night, which is…
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