Thank you, Jummy Jonas Kaufmann, for making us laugh at holiday crossover albums… again.
I feel like Jonas Kaufmann is trying to tell us something.
Touting an austere, governessy program—the hour-and-change Schubert/Müller cycle, Die schöne Müllerin—Jonas Kaufman fulfilled his long-awaited, high-profile return to Carnegie Hall last night.
Jonas Kaufmann‘s acclaimed Dick will highlight the Met’s 2018-2019 season.
The month of March 2017 on parterre box can be summed up in three topics: Anna Netrebko, Jonas Kaufmann and religious Cretans.
There is a self-effacing quality to Jonas Kaufmann’s concert film An Evening with Puccini.
Is Manon Lescaut a cold, clinical tale of the splendors and pitfalls of transactional sex, or is it a romantic Italian opera at its most lush and melodic?
The opening night of the Bayerische Staatsoper’s new production of Aïda, featuring Jonas Kaufmann in his staged role debut as Radamès, was captured informally on audio, and can be heard in full after the jump.