Happy 68th birthday director and administrator Francesca Zambello
If it is true that there are few respectable ways for people over 40 without small children to celebrate Halloween, a performance of Richard Strauss’ pioneering horror opera Elektra belongs on the short list.
“I think some things should be cast with certain physical types, and the role of Otello is one of them.”
Isn’t it inspiring how deeply Francesca Zambello has sunk her tentacles into the heart of American opera?
Two “major” US companies will present in 2017-2018 what La Cieca cannot help but regard as the worst possible combination of director and material.
Washington National Opera followed up Monday’s lavishly praised Die Walküre with a Siegfried that, if not quite rising to the summit of the previous installment, delivered a musically committed and eminently watchable version of this complicated work.
Happily, this Rheingold, which returned to the Kennedy Center Saturday night to open the first of three complete cycles, has been shorn of its clumsier gestures.
Gala this; gala that; who knew rich people wore clothes so badly?
“The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.”
Just when you though it was impossible to have any less respect for Francesca Zambello…
Three blocks from the opera house is a terrible time to realize there was homework.
Christine Goerke is the Prima Donna in this scene from Francesca Zambello‘s Glimmerglass production of Ariadne auf Upstate New York, and Did I Mention That the Komponist is a Dyke?
“Superstar soprano Deborah Voigt and powerhouse opera and theater director Francesca Zambello, friends for over 25 years, came to 92Y to talk opera, inspiration, artistry and friendship.”