Kind of self-explanatory, but Maria Callas‘s mad scene in Anna Bolena has truly ruined this music for me.
A friend who frequents these pages recently turned me on to a Donizetti cantata that I had never heard of: his setting of the speech of Dante‘s Conte Ugolino.
Leyla Gencer cussing out Shirley Verrett’s Elisabetta so convincingly the audience spontaneously breaks out in applause and bravas.
In 1972, when I was 12 years old, my mother took me to the Salzburg Festival.
One of my favorite scenes from Donizetti is the Act I finale from Anna Bolena.
La Favorita is my favorita. Whether it’s Favorita or Favorite, I love them both.
Fiorenza Cossotto in her prime had few equals, particularly in the Italian repertoire
Donizetti wrote so much great music, it’s hard to single out a favorite opera, or even a preferred aria!