Longtime Friend of the Box David Daniels writes on Facebook: “Over the years, I have often been asked why I feel my sexuality is anyone’s business and why I am so open about it in print. Read more »
Washingtonians enjoyed a happy reunion this past Sunday with David Daniels, a lucky substitution for the originally scheduled Alexander Tsymbalyuk on the Vocal Arts DC calendar. Daniels isn’t exactly a regular on DC stages—he last graced the opera house in 2008 opposite Placido Domingo in Handel’s Tamerlano (a rare Baroque foray for WNO)—but contributing to Ruth Bader Ginsburg lore will get you everywhere with this crowd. Read more »
parterre box, the world’s most widely-discussed online opera magazine, is now booking advertising for the 2018 fall season. We offer spaces and rates to suit everyone who is interested in reaching parterre’s vast and discerning audience. Email us at advertising@parterre.com and be sure to ask about our deep not-for-profit discounts!
Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art. Read more »
Christopher Alden‘s production of Handel’s Partenope is so erudite and theatrically audacious and also such a rollicking ride, it’s hard to believe it isn’t crap.
Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.
Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.
For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.
Cher Public