Chris’s Cache offers three striking interpretations of another Gluck masterpiece Alceste from Janet Baker, Anna Caterina Antonacci, and Véronique Gens
Chris’s Cache features a pair of performances of Iolanta with Tamara Milashkina and Asmik Grigorian
In advance of her Metropolitan Opera debut, Chris’s Cache showcases Asmik Grigorian’s versatility with broadcasts of Halévy, Giordano, and Korngold
Chris’s Cache offers three more street-singers: a live Renata Tebaldi performance–without Franco Corelli; Tebaldi cover Milka Stojanovic with Corelli; and Ghena Dimitrova’s second local appearance in which she was menaced by Piero Cappuccilli
Having relished last week’s American Symphony Orchestra “once-in-a-liftetime” Gurrelieder (my third, in fact), I wanted to keep enjoying Schönberg’s lush early epic.
Next week Puccini’s La Rondine returns to the Met for the first time in eleven years, so Chris’s Cache offers three quite diverse sopranos as Magda: Ljuba Welitsch, Virginia Zeani, and Cristina Gallardo-Domâs.
Chris’s Cache offers a Leoncavallo double-bill: Aprile Millo in Zazà and Jon Vickers and Carol Vaness in Pagliacci
Chris’s Cache previews the Met’s imminent revival of Roméo et Juliette with three pairs of doomed lovers
Chris’s Cache celebrates Ewa Podles‘s long connection with Handel by featuring her in three complete, decidedly un-HIP operas spanning over twenty years
Three live recordings of Verdi’s fateful opera: one featuring a cast I heard in the distant past, another from Paris just over a year ago with a cast completely different from the Met’s, as well as the complete St. Petersburg version
The new Opera News section of OPERA magazine already seems to be getting smaller, but the March issue features a long interview with Carol Vaness about Donna Anna.
A trio of live Bellini recordings featuring Mirella Freni, June Anderson, and Angela Meade in the title role
Chris’s Cache previews Lise Davidsen‘s concert with six sopranos singing the five Wesendonck Lieder , plus a tenor interloper (Jonas Kaufmann, of course), and a mezzo (Hanna Schwarz )
A convocation of mezzos–and a pride of tenors–produce hundreds of sixteenth notes in a bewitching Rossini showpiece
Before some important Madama Butterfly sopranos dominate the American scene in early 2024, Chris’s Cache offers live recordings of four vintage Cio-Cio-Sans, plus a brand new one: Renata Scotto; Galina Vishnevskaya, Anna Moffo, Gilda Cruz-Romo–and Sonya Yoncheva.
Florian Leopold Gassmann’s delicious romp L’Opera Seria seems the perfect New Year’s Eve choice at Chris’s Cache
Today’s Three Kings aren’t the ones who arrive in Gian Carlo Menotti’s opera usually performed this time of year
Today’s collection features souvenirs of three previous Met productions of Carmen
Two short theatrical works and one sacred piece from the beguiling oeuvre of the guy who didn’t write Louise
Chris’s Cache wraps up November with Régine Crespin’s Chicago Leonore; two rare Met Fidelios headed by Christa Ludwig and Hildegard Behrens; and a concert performance with Birgit Nilsson led by Leonard Bernstein, plus a final twist: excerpts of Carol Vaness in Leonore.
Two problematic 1990s Donizetti daughters
Several opera companies across the globe are marking the 100th anniversary of the birth of Maria Callas with performances of operas identified with her.