Like an echo from the caves of Coccamaura, film, drag and cabaret legend Charles Busch came forth whilst Deirdre wept cool tears.
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Charles Busch‘s The Confession of Lily Dare bundles up a long weekend’s worth of TCM “pre-code fallen woman” tropes into a neatly hilarious 90 minute package.
New York is different now, and John Zorn has this hangout, The Stone, on Avenue C (you heard me) at Second Street, a performance space the size of a largeish dorm room.
Our Own JJ (not pictured) interviews the legendary Charles Busch and goes on to muse on drag (not in drag, on drag) at the new joint venture Thirteen/Capital.
As Peg, the boozy, washed-up screenwriter (Kathleen Turner) in Charles Busch‘s play The Third Story explains, I told you the third story is often the best. The first is the genesis of an idea, but usually completely off the track. The second is when you go overboard with flights of imagination. The third story is…
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