Phil Chan described his point of departure for reimagining Orientalist works as the question, “what else could this be?”
In Boston Lyric Opera’s production of Bartók’s Bluebeard’s Castle, which closed on Sunday after a nearly sold-out run—there are no doors.
Yuval Sharon at Boston Lyric Opera has brilliantly found an interpretative middle ground for La bohème by presenting the acts in reverse order.
“Singers slated for next season include… Jane Eaglen (Mother Goose in The Rake’s Progress).”