Agent orange
That Trump opera at the Staatsoper Hamburg is lazy activism at its finest, we fear.
Staatsoper Hamburg
‘Don’ or dinner party
A revival of Peter Konwitschny’s rightly legendary Don Carlos and Dmitri Tcherniakov’s confounding new Salome: both turned out to be unforgettable!
Jailhouse Roccos
Chris’s Cache wraps up November with Régine Crespin’s Chicago Leonore; two rare Met Fidelios headed by Christa Ludwig and Hildegard Behrens; and a concert performance with Birgit Nilsson led by Leonard Bernstein, plus a final twist: excerpts of Carol Vaness in Leonore.
A divided duty
Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.
Eye of a storm
Two of the leading postwar Czech sopranos appear together in Janacek’s Kát’a Kabanová when Trove Thursday presents Gabriela Benacková‘s gleaming heroine in her US debut relentlessly persecuted by Nadjezhda Kniplová’s implacable mother-in-law.
Once more with feeling
We humans tend to dislike uncertainty, therefore there is something comforting going to opera revivals; you know exactly what you are going to get.
You were dead, you know
Lyric Opera of Chicago opened its 2017-18 season on Saturday evening with a new production of Gluck’s Orphee et Eurydice in the 1774 Paris version.
My new philosophy
A rollicking performance of his delightful comic opera Der geduldige Sokrates featuring a fine cast and the magnificent Akademie für Alte Musik conducted by René Jacobs.
Love hears, love knows, love answers
This week “Trove Thursday” brings a rare in-house recording of a visit to the Metropolitan Opera House by the Staatsoper Hamburg presenting Stravinsky’s The Rake’s Progress with a deluxe cast
You stepped out of a dream
One of opera’s great “what ifs?” is what would young Erich Wolfgang Korngold have contributed to the repertoire had the likes of The Adventures of Robin Hood not beckoned him to Hollywood?
Between the dragon and his wrath
Aribert Reimann’s 1978 opera Lear, based of course on Shakespeare’s titanic tragedy King Lear, is a major achievement in modern operatic scoring.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).