La Cieca finally finished listening to her review copy of the Beverly Sills reissue Norma last night, a recording she hasn’t heard since, oh, sometime during the disco era. This is first time this recording has appeared on CD, at least in wide release, and naturally going to be of interest to Sills (or Shirley…
Simply everyone chimes in today about Monday night’s Met in the Parks recital at Central Park SummerStage. JJ has one take, Anthony Tommasini quite another, and for depth of detail, you need look no further than Our Own Sanford:
[La Cieca is happy to present a guest review by Our Own Lindoro Almaviva.] Cincinnati Opera makes a good case for the 4 act version of Don Carlo. I think it is a great idea that they used projected titles to give us the background of the opera (since we lose the Fontainebleau scene). This…
La Cieca received this letter yesterday. If you have reviews, opinion pieces, appreciations, or (as in this case) a Letter to the Doyenne, please email to [email protected]. Saving New York City Opera?
Those of you who have been following the AGMA/NYCO rowdydow may be interested to hear that the labor union is also in touch with its members in regard to attempts at cost-cutting at the Met. La Cieca has learned from an AGMA member that Peter Gelb has recently written a letter to Met artists asking…
New Kid on the Plaza Drammy writes: April 9, 2009. A traditional Otto Schenk production featuring Diana Damrau as Gilda and who cares but.. Frizza conducting, Viktoria Vizin as Maddalena, Calleja as the Duke, Frontali as Rigoletto, Aceto as Sparafucile. Stellar performances from the entire cast, excepting poor Mr Frontali. The set was phenomenal –…
La Cieca really, really doesn’t like to say this, but the truth seems to be staring us in the face, so here goes. We have seen the last of Rolando Villazón at the Met. Even though he’s announced as having canceled only the first two performances of Elisir, it’s pretty clear that he’s just not…
“Mermaid meets boy, mermaid loses voice, mermaid loses boy.” Our Own JJ reports about Rusalka at the Met.
[Our Own Gualtier Malde (along with a few thousand other people) attended the public dress rehearsal of the Met’s new production of La sonnambula this morning. Here is his report.] Innocence, rustic naiveté and virginity just don’t get no respect no more. I should know, I grew up way out in central New Jersey and…
[La Cieca’s old, old, old friend Camille attended Montserrat Caballe‘s Valentine’s Day duo recital earlier this month. Her reactions — which she admits it took her some days to sort out in her mind — follow.] After some reflection and reviewing Caballe’s Orange Festival Norma, once again, I can merely pipe up with my opinion…
“In Adriana Lecouvreur, Domingo manages to portray plausibly a character young enough to be his grandson. He is the dashing Count Maurizio, who is entangled in a romantic triangle with the celebrated actress Adriana and a scheming princess. The count’s excuse for two-timing Adriana is perhaps the most original in the history of cheating. He’s…
Longtime friend of the ‘box Little Stevie returns to Adriana Lecouvreur: I have always believed that as with La Gioconda, a great performance of Adriana Lecouvreur needs to serve up “the four greatest singers in the world”, and the Met seems to come close to doing just that. I have attended all of the performances…
One of La Cieca’s most trusted spies wangled his way into the house last night for the surprise cast change in Lucia di Lammermoor, and here’s his report: Perhaps it is the side benefit of low expectations, but I was not offended by Anna Netrebko‘s performance on Tuesday night. Though certainly not a bel canto…
The operatives were busy over the midnight hours: “Act 3 was a mixed bag. The opening showed Villazon in much better form, with solid phrasing. The Mad Scene started out beautiful, Netrebko spinning out haunting legato. She was completely involved and engaged. Then she fell apart at the flute solo, sounding under supported and wavering…
All the way from exotic Portland, Operaman writes: Yesterday I attended the Met HD transmission of Orfeo ed Euridice and, once I have told you my reactions and feelings about this show, I cannot wait to hear what members of your cher public who saw or heard it have to say about it. And I…
Diva Angela Gheorghiu, due onstage at the Met next week for a new production of La rondine, is seen heard here as a remarkably complete package at the age of only 20. The video is dated 1986, four years before the soprano’s professional opera debut. [kml_flashembed movie=”http://www.youtube.com/v/8aBVrSgwp9o” width=”425″ height=”350″ wmode=”transparent” /]
“The campy diva lover in me should exult at the credit in the program ‘Renée Fleming‘s Costumes by Christian Lacroix,’ but in fact the couturier’s frocks were something of a mishmash. Best was a shimmering gold sheath that set off Fleming’s first entrance and trim waistline to perfection; worst was a rumpled ivory silk ballgown…
Our Own Gualtier Maldè reports: Not every opera has to be a masterpiece. I couldn’t subsist on a steady diet of Tristan und Isolde, Die Zauberfloete, Fidelio, plus Otello, Falstaff et al. Frankly the occasional light comic bonbon or trashy but fun melodramatic tunefest makes a nice palate cleanser. I am talking Adriana Lecouvreur, La…
Our Own Gualtier Maldè reports: The Met’s orchestra and audience have found a new conductor to love: Daniel Barenboim.  The debutante conductor got a huge ovation before he even lifted his baton. Lots of applause for Danny B. all night from an adoring audience including a generous amount at his final bow. There was lots of touchy feely…
Cher public, who else but La Cieca brings you such in-depth arts coverage that you get not one but two reports from spies at the dress rehearsal of the Met’s new La Damnation de Faust ? After the jump, eyewitness accounts of the Lepagerie from Our Own Gualtier Maldè and Sanford.Â
I was there in the house and it was a good night. I still think that Mattila and the production were fresher in 2004 with a wider range of colors and dynamics. However, she didn’t sound frayed or at the end of her rope. Some of the louder high notes can get a blanched quality…
Tuesday morning: A further report from Lindoro Almaviva: Over all the night was a success d’estime. It was a Renee worship night and we got just that. I am sure you will be able to talk in better terms about the singing or lack thereof. My impression is that Renee had an “acting” night, as…
La Cieca’s spy reports on the Met’s pre-season:Â
Legendary Metropolitan Opera wig mistress Nina Lawson died last week at the age of 82. Above, a sample of Ms. Lawson’s coiffure for Joan Sutherland‘s first Met Norma at the peak of the Big Diva Hair era, circa 1970. [via NYT]
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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