Isle, cry tomorrow
I completely missed The Enchanted Island during the Met’s 2011-12 season, both in the house and in the HD presentation. Even on Sirius, I had only heard snippets of the performance.
New York
Wigs and weaves
It’s easiest to write reviews when there are soaring triumphs and miserable failures.
No place like Rome
Love grand opera but wary of a six o’clock curtain with five hours of music behind it? (And nothing is grander than Berlioz’s Les Troyens, eh?) Your dilemma has been solved. Show up at the Met at 7:30 or 8:00, whenever they have the first intermission.
Lisa della Casa 1919-2012
The elegant Swiss-born soprano has died at 93.
Divas merrily on high
Cecilia Bartoli and Joyce DiDonato are not the only ladies who have recorded recitals this year featuring music from the 17th and 18th centuries.
Carry on Cleo
Natalie Dessay coyly bares a breast on the cover of Virgin Classics’ new Giulio Cesare.
Odd numbers
All of the operas of Giuseppe Verdi contain music that is worth hearing and can be rewarding in good performances.
Bea in the bonnet
Everyone who revives Bellini’s Beatrice di Tenda, as the Collegiate Chorale did at Carnegie Hall on Wednesday night, calls the piece an “overlooked masterpiece.”
The sun also rises
If you’re the sort who prefers his diva to be an unapproachable sphinx prone to infuriating cancellations while radiating ennui, I suspect that the sunny, hard-working, grateful persona of American mezzo soprano Joyce DiDonato will not appeal to you at all.
The man in the ironic mask
The realization of the opera Un ballo in maschera by Verdi and the librettist Antonio Somma is almost as famous as the opera itself.
Cross purposes
In spite of sounding like an indelicate football injury, I Lombardi alla prima crociata was only Giuseppe Verdi’s fourth opera.
The man behind the mask
Recently your doyenne engaged in an email-based interview with David Alden, director of the Met’s new production of Un ballo in maschera, opening on Thursday.
Can this “Marriage” be saved?
The performance at the Metropolitan Opera last night proved that yes, it is possible to kill this opera. I don’t know how they managed it, but they did.
Parma violence
This DVD of Ernani is part of a series from the Teatro di Parma, a “Tutto Verdi” collection recently produced by Unitel Classica.
Mission statement
Can it be nearly a quarter-century ago that an Italian mezzo-soprano in her early twenties recorded her first recital?
The odd Pasquale
At the age of thirty, Donizetti was already the experienced composer of about eighteen operas, both serious and farcical, but as Olivo e Pasquale (currently undergoing its American premiere run at Amore Opera) makes clear, the comic works were no slight matter.
Def Man Glance
Since 2010 I’ve been reading nothing but horror being heaped upon the Met’s new Ring. It’s been like a cross between a cruise ship size buffet spread of internet snarking and a slasher film re-cast with music critics.
Crack of doom
It took about 30 minutes for me to grow restless watching the world premiere video of Gyorgi Ligeti’s Le Grand Macabre from Gran Teatre del Liceu.
Tales of the unexpected
Saturday matinee’s prima Trovatore brought an exciting and compelling show to the Met’s stage in the revival of David McVicar’s dark, Goya-esque production.
First sip
UPDATE: A video preview of the new Elisir follows the jump.
A boozy short leave
After 23 years, the Queen of Carthage has finally made it to Manhattan.
L’infelice Aragonese
Camille Saint-Saëns was such a brilliant, facile musician that pals like Wagner and Liszt felt a distinct schadenfreude when he suffered composer’s block.
Brit star! would I were steadfast as thou art!
Rule Britannia? Often during the Olympics that famous number from Thomas Arne’s 1740 Alfred echoed in my ears.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).