As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
Following the composition of Un ballo in maschera, Verdi had gone into a self-imposed retirement, at least musically; he had not composed a note in four years.
Following last week’s Golden Cockerel, Trove Thursday offers another classic Russian opera not in Russian: Borodin’s Fürst Igor with Nelly Miricioiu, Marjana Lipovsek, Bodo Brinkmann, Evgeny Nesterenko, Robert Schunk and Sergei Koptchak conducted by Mark Ermler.
Tonight at the Met should have welcomed Barrie Kosky’s production of Prokofiev’s The Fiery Angel; in its absence Trove Thursday steps in with a recent broadcast featuring this summer’s breakout star Ausrine Stundyte as the enigmatic Renata.
If I had to live with just one Tchaikovsky opera, it would be Iolanta.
The upscale art book for opera lovers this holiday season is George Tsypin Opera Factory: Building in the Black Void (Princeton University Press). Tsypin is designer of choice to directors Julie Taymor, Peter Sellars and Francesca Zambello; his most familiar work to New Yorkers is perhaps his Met Zauberfloete in collaboration with Ms. Taymor. The…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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