Senior moment
Being an opera lover in Los Angeles is a lot like being a Red Sox fan. As hard as they try we never make it to the World Series, let alone the playoffs.
Italy
Enfin, elle est en notre présence
Almost exactly one hundred years ago on March 18, 1912, the Metropolitan Opera gave its final performance to date of Armide.
Old-fashioned wedding
If the Arthaus Musik release of Le nozze di Figaro from La Scala feels like a slouchy revival pulled haphazardly from the video vault, the singers are certainly not at fault. Ildebrando D’Arcangelo and Diana Damrau, starring as Figaro and Susanna, are bankable stars who live up to the hype. At the podium, Gérard Korsten […]
All hell baroque loose
Many American opera-lovers take the “Grand Tour”—a pilgrimage to Europe to attend opera at its great houses—Peter Grimes at the Royal Opera in London or Otello at La Scala in Milan, or perhaps for the more well-heeled a visit to the summer festivals of Glyndebourne, Salzburg or Aix-en-Provence.
Anna squared
I’ve been a big fan of Donizetti’s Anna Bolena since I first heard it on recording and have always felt that it deserved a definitive recorded performance. Here’s a brief tour of why this hasn’t happened. There’s the Bible, also known as the live Scala relay with Callas and Simionato and musical cuts so egregious […]
Behind the red curtain
It was indeed a curious sensation making a late morning trek to East 59th Street, a block devoted to showro0ms for bizarre upscale furniture and lighting fixtures, and then to enter a boutique cinema specializing in Hindi films (the big coming attraction right now is Desi Boyz) — and all this before sitting down in […]
Mirror, mirror
La Cieca is just back from the HD of Don Giovanni from La Scala: excellent singing through the whole cast, strong conducting (if tending to the slow side) by Daniel Barenboim, and a smart, chic production from Robert Carsen that frankly makes Michael Grandage look like an utter bumpkin. The presentation will repeat here in […]
Mayr, fair lady
Giovanni Simone Mayr was one of the most important musical figures of his day, a man Rossini referred to as the “father of Italian opera” whom Napoleon personally lobbied to come work in Paris. Though he wrote nearly 70 operas and taught Donizetti and Bellini, the Bavarian-born composer had the misfortune of hitting his peak […]
Joy in the morning
“Gioia!” is the title of Aleksandra Kurzak‘s debut aria recital, her first international release under a new exclusive contract with Decca Music Group, and—not surprisingly—this writer’s response to the soprano’s sparkling vocalism. In the liner notes, the Polish soprano explains that the title of this recording was her agent’s suggestion: “He said that he can […]
Ship of fool
After the Georges Antheil opera that was my first assignment from La Cieca, I have to confess feeling slightly relieved when I opened the parterre package to find: Billy Budd! And not only a Billy Budd, but one starring John Mark Ainsley! The rest of the cast looked similarly starry (pardon the pun), so I […]
Bottom dollar
In Robert Carsen’s 2004 production of La traviata for Teatro La Fenice, the Prelude is staged. During this haunting music, we see Violetta lounging on a huge bed while more than a dozen men pay her for her services with wads of oversized dollar bills. By the time Act One begins, the bed is virtually covered […]
Outdoor voice
We see the excited crowd at the Arena di Verona, the ancient structure lit by enormous stadium lights, the passing of candlelight through the audience, and tourists snapping pictures. The flash bulbs keep popping, right through the performance. And as the opera unfolds, there is that feeling of watching a tired Broadway cast walk through […]
Just around the corner
Cubes and Macbeth seem to have been a successful pairing in the recent Regietheater. Graham Vick’s production of Macbeth at the Teatro alla Scala in the 1997/98 season had become famous, or infamous, for centering its spirit and energies on a big cube dominating both sets and singers. David Pountney exploited the same idea of […]
Critical addition
Very few things intrigue me as much as analyzing belcanto operas, comparing their several versions and examining the composers’ second thoughts, modifications and revisions that, willingly or unwillingly, they made to their scores. I was already salivating when I heard that the Teatro Comunale di Bologna was going to perform Vincenzo Bellini’s I Puritani in […]
Kaufmann, Italian style
Our Own Ercole Farnese discovered and translated this interview in La Stampa with Jonas Kaufmann, in which the tenor discusses his “his idolatrous success with ladies and gay men, four fifths of the opera-goers.”
Remembering Shirley Verrett
When handing out the goodies, the gods weren’t stingy with Shirley Verrett. Few opera singers were as prodigiously gifted as Verrett: the perfect amalgam of Kunst and Stimm housed in a frame of voluptuous allure. In addition to an instrument of stunning natural beauty and easy range, Verrett displayed superior musicianship, dramatic intelligence and searing […]
Endless love
“So, how is this new Pavarotti?” or, “This young tenor, what’s his name, I saw him on the morning show, is he any good?” When people who have never set foot inside an opera house—and know Maria Callas chiefly as the woman Aristotle Onassis dumped for Jacqueline Kennedy—start asking me such questions, then I […]
That is what fiction means
“As beautiful as her singing was, [Renata Scotto] never was much of an actress.” — Lotfi Mansouri: An Operatic Journey
Cross purposes
The subtitle for Il crociato in Egitto, the last of Meyerbeer’s great Italian operas, is “Historic Melodrama in Two Acts,” and boy is it! A melodrama, I mean. I’m not sure about the historic part.
Giusto ciel, in tal periglio…
UPDATE: Tonight’s performance of Simon Boccanegra at La Scala (featuring Placido Domingo) has been canceled because of a strike called by unions protesting the “decreto Bondi,” a measure to privatize all of Italy’s major opera houses and reduce salaries at these theaters across the board. Our Own Ercole Farnese reviewed yesterday’s news reports about this […]
Once on that island
Our Own Gualtier Maldè (right) escaped today’s Armida dress rehearsal at the Met with his wits intact. He reports:
La Scala Upper West
Everything I need to know about Bizet I learned at a Judy Chicago exhibit in 1996. Brutality against women is pervasive, and society is culpable by permitting it. Such grievances were aired at the expense of the composer’s chef d’oeuvre Carmen yesterday at La Scala’s Gala opening, viewed dal vivo at Symphony Space on 95th and Broadway.
Txtng the La Scala season premiere
Nuns, Doppelgängers, ball gags, “third arms“? Your own Squirrel is on the scene at Symphony Space offering his eyewitness account of the prima of Carmen (as seen on HD, liveish from Milan). Up-to-the-minute coverage follows the jump.
LA thinks pink
Vocal glamour in abundance highlighted the opening performance of LA Opera’s Il barbiere di Siviglia on November 29 at the Dorothy Chandler Pavillion, with much buzz attendant on the company debuts of Rossini experts Juan Diego Flórez and Joyce DiDonato. Adding excitement was the Figaro of Nathan Gunn, who played with Errol Flynn panache, and […]
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).