Tales that witness madness
Jacques Offenbach’s Les contes d’Hoffmann has had a bumpy ride to its pride of position in the current French repertoire.
Jacques Offenbach’s Les contes d’Hoffmann has had a bumpy ride to its pride of position in the current French repertoire.
“Trove Thursday” presents a recording of the rare L’Olimpiade featuring Joan Caplan and Rita Shane in the two leading castrato roles.
LoftOpera’s Saturday night performance of Rossini’s Otello successfully appealed to the essential kinetic energy of the operatic art form.
There is much to say about the similarities between the plot of Fidelio and the ancient myth of Orpheus.
The rewards of Leonore lie almost as much in the ensembles as the solo contributions.
This week’s feature is a classic Salzburger Festspiele performance from 1959 with the all-star cast of Leopold Simoneau, Lisa Della Casa, Kurt Böhme, Erika Köth, Walter Berry, Hans Hotter, Graziella Sciutti and Karl Dönch conducted by George Szell.
Washington National Opera continued a focus on recent works this season with Terence Blanchard and Michael Cristofer’s 2013 opera Champion on the life of boxer Emile Griffith.
Curtis Opera Theater mounted a musically remarkable account of John Adams’ Doctor Atomic on March 2.
Opening night of La Scala in 1962 with Franco Corelli, Antonietta Stella, Fiorenza Cossotto, Ettore Bastianini, and Ivo Vinco.
The opera is relentlessly obvious, a work that repeatedly turns to tired tropes and canned characters to fill up its nearly three hour run time.
The Canadian Opera Company scored a coup when they secured Christine Goerke for the revival of their Ring productions over the last three seasons
So, how excited are you to read another piece about the Mary Zimmerman Rusalka?
The Met’s current production of Verdi’s La Traviata is something of a mixed bag.
Today is Handel’s 332nd birthday and “Trove Thursday” celebrates with a rare live broadcast of his best-known opera Giulio Cesare in Egitto.
I entered the Dorothy Chandler Pavilion on Saturday night for LA Opera’s 30 year old revival of their production of Salome with a combination of enthusiasm and apprehension.
Sandrine Piau‘s lovely recital with pianist Susan Manoff at The Philadelphia Chamber Music Society on February 14 entered around the themes of sleep, dreams and waking.
I am, perhaps instinctively, skeptical of those who commit suicide.
Radvanovsky delivered a vocal and histrionic performance that should be the gold standard Norma for years.
Trove Thursday presents as compensation Verdi’s Jérusalem with Cecilia Gasdia, Veriano Luchetti and Silvano Carroli conducted by Donato Renzetti.
Pretty Yende was still hanging around after her last Barbiere and she knows the role of Elvira, having sung it in Zurich last June.
This Met’s second production of Berg’s 1935 opera was the hot topic of November 2015.
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Tancredi, given on February 10th, was a credit to Opera Philadelphia, who offered a well-considered and compelling production.
Someone—a deranged purist no doubt—heckled Javier Camarena from the balcony of the opera house for withholding the infamous high F during “Credeasi, misera.”
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